{"id":7153,"date":"2011-09-01T09:00:03","date_gmt":"2011-09-01T08:00:03","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=7153"},"modified":"2013-05-31T16:22:19","modified_gmt":"2013-05-31T15:22:19","slug":"at-the-movies-the-skin-i-live-in-or-markgrafs-continued-facial-incontinence","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2011\/09\/01\/at-the-movies-the-skin-i-live-in-or-markgrafs-continued-facial-incontinence\/","title":{"rendered":"At The Movies: The Skin I Live In, or Markgraf’s Continued Facial Incontinence"},"content":{"rendered":"

Before I get stuck into this review proper, I want you to know, readers, that I have found it impossible to review without spoilers.\u00a0 THERE ARE SPOILERS IN THIS REVIEW.\u00a0 If you care about spoilers for this film, scroll on down past the review to the illustrations and the “you should\/should not see this film because…” bullet points. <\/strong><\/p>\n

Other thing is, there’s talk of rape in this, too<\/strong>.<\/p>\n

Now, I went to see The Skin I Live In<\/strong> (La Piel Que Habito<\/em>) on my own, which was possibly a mistake, the reason for which you’ll realise as you read on.\u00a0 I have a little snippet of anxiety left over from school whereby if I go to do something alone, I’ll be afraid I’m in the wrong place.\u00a0 I’ll get my ticket, read the ticket, go to the place it says on the ticket, but I’ll still be a bit scared that I’m somehow, magically, in the wrong place.<\/p>\n

So there I sat in the Arts Picturehouse in Cambridge, nervously clutching my mug of tea (THEY LET YOU BRING FUCKING TEA INTO THE FUCKING CINEMA OH MY GOD HEAVEN IN AN AUDITORIUM!!!!), wondering if, when the film started, it’d be the right one or not.<\/p>\n

Ten minutes of sumptuous interiors, high-angled shots, hyper-saturated film and an onslaught of seething, brooding madness in, I realised with great satisfaction that yep, I’m watching a goddamned Pedro Almod\u00f3var<\/a><\/strong> film.\u00a0 That man has his favourite toys, tropes and themes, doesn’t he?\u00a0 This is another film that watches class through a fish-eye lens, focussing on the life of a very well-off, in-demand surgeon (Antonio Banderas<\/strong>), who is currently undertaking research into the growth of synthetic human skin for the treatment of burns sufferers.\u00a0 He has “help” and a housekeeper and everything.<\/p>\n

Also, he keeps a young woman (Elena Anaya<\/strong>) as a pet in a locked room and does experiments on her.<\/p>\n

This is just the set-up.\u00a0 This is all revealed in the first extravagant slice of immaculately tailored, dressed and designed film.\u00a0 It goes further. Every single character in this film is broken in some fundamental way.\u00a0 Or if they don’t start out that way, they become that way.<\/p>\n

The only truly sympathetic character, I found, was that of the housekeeper, Marilia (Marisa Paredes<\/strong>).\u00a0 She’s stalwart and practical, caring and protective, and I wish she survived ’til the end, but she doesn’t.\u00a0 I was surprised, actually, that there were any<\/em> purely sympathetic characters at all in this film – it’s Almod<\/strong>\u00f3var, no-one is innocent ever!\u00a0 And, indeed, she is the only<\/em> fully likeable, empathic person in the film.\u00a0 Everyone else is absolutely horrible in some ways, and deeply sympathetic in others, leaving you with absolutely no bloody idea what to make of them overall.<\/p>\n

So far, so Almod\u00f3var.<\/p>\n

Now, while I was watching this, absorbing it like a sponge, my thoughts drifted – as they are wont to do – to the rest of the Almod<\/strong>\u00f3var canon.\u00a0 My favourite film of his by a long shot is Bad Education<\/strong>, and if you’ve not watched it, you really must – but he really does have this ongoing obsession (theme, exploration, whatever you want to call it) with transgender people, and the process of transforming gender presentation, and whether or not transformation redeems.\u00a0 He’s also good at casting real trans* people as transgender characters, which is something that Hollywood has yet to realise is a thing that they should fucking do, too.\u00a0 “Huh,” I thought, with this in mind, watching Antonio Banderas’s distressingly hot surgeon-gone-mad leaking deep-eyed insanity all over the cinema, “There’s no trans* folk in this!\u00a0 Weird, for Almod<\/strong>\u00f3var, to not at least have one of us.”<\/p>\n

And then everyone was trans* and everything hurt.<\/p>\n

No, I’m serious.\u00a0 Holy shit.\u00a0 Yes!\u00a0 Indeed, ALL film literature on this is meticulously devoid of spoilers (and I’m ruining that now, hahar!) but the pretty young thing Scary Dr. Richard is keeping as a toy\/pet\/experiment\/wife replacement\/wall-to-wall security camera work of art (I’m not even joking) is the bloke that raped his daughter and has been surgically rebuilt to look like a cis woman as punishment.<\/em><\/p>\n

Now, before I explore that comprehensive cinematographic clusterfuck in more detail, I’m going to make a quick aside here and say that this film also deals with consent and choice, and what happens to our minds when these basic human rights are removed from us.\u00a0 There’s a lot of relatively graphic sex in it, and not all of it is 100% doubtlessly consensual, so please bear that in mind if you’re off to watch it.\u00a0 There’s also non-consensual body modification and surgery, none of which is graphic, but the treatment of it is brutal and plays upon the mind’s ability to patch in worse realities than that to which it’s denied visual access.\u00a0 And<\/em> there’s also kidnapping, gagging, drugging, imprisonment and so on, all of which is beautifully and luxuriantly filmed for your horrified pleasure.\u00a0 Nothing is sacred, no-one is innocent, and everything is broken.\u00a0 It’s amazing.\u00a0 It’s like, as the film goes on, it peels off layers of scabs to reveal more horrible things underneath.<\/p>\n

Back to the sex reassignment thing, then.\u00a0 This is the first time I have ever seen in a film the notion of sex reassignment as punishment.\u00a0 I’ve seen castration as punishment (The Ladies Club<\/strong>), I’ve seen rape as punishment for being transgender (Boys Don’t Cry<\/strong>) but I’ve not seen this.\u00a0 Now, my initial reaction was, “ASDLAKSJFLDKG HOW DARE MR. ALMODOVAR USE THE REALITY OF SEX REASSIGNMENT LIKE IT’S SOME KIND OF DREADFUL, FEARFUL THING THAT ANYONE WOULD HATE TO HAVE HAPPEN TO THEM” and then I realised that he’s actually written a pretty good precis of what it’s like to be a trans man.<\/p>\n

Vicente, the rapist of Richard’s daughter, and let’s ignore the rape part for the moment, is taken away and forcibly reassigned “female”.\u00a0 He’s given a vulva, new skin and breasts, and from the looks of it, a new bone structure and voice, too.\u00a0 (And there’s also the bit where Antonio Banderas chains him up and shaves him with a straight razor, which gave me that’s-my-kink related problems…)<\/p>\n

But he still identifies as Vicente – despite quite literally wearing Richard’s dead wife’s face<\/em> (the reason, I presume, that the part of Vera is not played by a trans woman) – is tortured by how he now has all these different dressy, make-up-y and vaginal intercourse-y expectations of him, and finds solace in yoga and opium to help him forget the pain.<\/p>\n

Dude, that’s me<\/em>.\u00a0 Except without the yoga and the opium and… a few other things, too, but the main theme is there.\u00a0 This is<\/em> the non-consensual assignment of a sex and attributed gender role that you just aren’t.\u00a0 He plays along and acts the part, but only as long as he absolutely has to before he can escape.<\/p>\n

So that was the first time I ever sympathised with a rapist in a film, the end.<\/p>\n

\"A

Seriously. Watch his films and tell me if I'm wrong. I'm not.<\/p><\/div>\n

Apparently, people walked out of the preview screening here in Cambridge, which surprises me.\u00a0 There’s nothing graphic (other than sex) in this film, and really, then, you’re only left with the themes to run with, and I can’t really see how you could be disgusted to the point of walk-out over the themes in this film.\u00a0 The cynical feminist in me wonders if the very idea of sex reassignment is really that disgusting to some people…<\/p>\n

You should see this film because:
\n– <\/strong>It’s Almod<\/strong>\u00f3var’s most comprehensible and accessible film that I’ve seen, and would make a nice introduction to how brilliant his work is
\n– It’s absolutely brutal, terrifying and bizarre, and those are all qualities that make good cinema
\n– It’s beautifully made, perfectly cast, and the soundtrack made me cry
\n– You won’t see another film like it, ever<\/p>\n

You should not see this film because:
\n– <\/strong>HOLY NON-CON TRIGGERS, BATMAN
\n– Antonio Banderas is problematically hot and it’s difficult to watch him being such a terrifying pile of mess and insanity without fancying him a lot
\n– OR AT LEAST I THOUGHT SO, BUT THEN, I DO HAVE THE WORST TASTE IN MEN EVER<\/p>\n

\"A

Exclusive behind-the-scenes footage of your host EVERY TIME HE HAS TO ILLUSTRATE ANYTHING<\/p><\/div>\n