<\/a>Photo of Caitlin Moran by Chris Floyd,
which won August's "Portrait of the month" at the
National Portrait Gallery. Source:
http:\/\/www.npg.org.uk\/<\/p><\/div>\n
Moran does two things which are absolutely crucial. She actively
calls bullshit on the many forms of misogyny which have somehow
become acceptable in society, and then she
laughs<\/em> at them.<\/p>\n
Calling bullshit is not a small thing. It takes incredible
strength to say “no” to Hollywood, magazines,
posters, tv and the expectations of your friends, family,
colleagues and boss. By being brutally honest about becoming a
woman – periods, body hair, boobs, everything about a
teenager’s brain – she humanises it and makes it
possible to go against expectations. Of COURSE the idea that
every single woman needs a Brazilian shave by default is
stupid bullshit. Step back a moment and compare it to real
life as she does, and it becomes easy to laugh… and more
importantly to finish laughing and shout HELL NO.<\/p>\n
Boys will read this.<\/em> They want to know what girls
think, and what the changes happening to girls’ bodies
and minds are actually like. The book is full of comedy but
also danger, which keeps it exciting and holds your
attention. I’m always going on about how pop culture
is great because it engages people and slips messages past
them while they’re having fun – this does
exactly that, really well.<\/p>\n
Importantly, when talking to the male side of the
equation, it also demystifies. Male readers can look at
the stupidity of some conventions, see what the reality is
for women and it will become easier for them to realise
where the bullshit lies.<\/p>\n
Moran speaks directly to men in the book as well as women.
After telling female readers to say the words “I am
a feminist” out loud, possibly while standing on a
chair (“Say it. SAY IT. SAY IT NOW! Because if you can’t,
you’re basically bending over saying ‘Kick
my arse and take my vote, please, the
patriarchy.’<\/em>“) she adds this:<\/p>\n
“And do not think you shouldn’t be
standing on that chair, shouting ‘I AM A
FEMINIST!’ if you are a boy. A male feminist
is one of the most glorious end-products of
evolution. A male feminist should ABSOLUTELY be on
the chair – so we ladies may all toast you, in
champagne, before coveting your body
wildly.”<\/p><\/blockquote>\n
Note to men: this is relatively true. Identifying as
a feminist in actions as well as words (unless
you’re a lying weasel who is just doing it to
get into their knickers) will by itself put you
quite far into the “not a raging
asshole” category. That’s hot. I’m
just saying.<\/p>\n
I agree with Sarah on the minor disappointments. The
author’s use of “retard” on page 5
really jars and stands out, just plain doesn’t
work, and isn’t okay. Where Sarah found it
limiting that the events are focused only on
Moran’s personal experiences, though, I
didn’t think this mattered as much to the
message. Where Caitlin says she doesn’t feel
that the word “boobs” really describes
any part of her body (and “breasts” is
worse), I know some women who feel comfortable with
that word – but her final decision
doesn’t seem as crucial as long as the reader
is made aware that girls face the situation of
having to find the right words for themselves.
Making everyone ask themselves the question means
the answer
she<\/em> chooses almost doesn’t
matter.<\/p>\n
There are plenty of universal truths in there.
The chapter where she reveals how the word
“fat” has basically become
weaponised to a greater degree than previous
nuclear-level playground insults, and gives
examples, all rings totally true. The stories of
her 16-year-old self veer between amusing and
devastating, but it just helps the reader
identify with the general problem. Hell, it made
*me* identify with it, when my 16-year-old self
was dangerously underweight, gangly, six-foot
and male.<\/p>\n
And that’s the secret. The reason
I’m excited about this book is that
it’s the first one I think will be hugely
effective<\/em>, to women but especially to
the average man. There are many modes of
communication which just don’t work:
language is important, but I think we can
frequently become so removed from daily
discourse in our attempts to avoid
discriminatory words that we lose the audience
entirely. Caitlin Moran will change male
attitudes a million times more powerfully
than, say, a paper by feminist academics which
would only be read by feminist academics,
containing newly invented language that boys
barely understand and have not been convinced
they need.<\/p>\n
You can tell whether some misogynistic
societal pressure is being exerted on
women by calmly enquiring, “And are
the *men* doing this, as well?” If
they aren’t, chances are
you’re dealing with what we strident
feminists refer to as “some total
fucking
bullshit”.<\/p><\/blockquote>\n
How to be a woman<\/strong> engages the
reader with great humour and truth, says
things of interest, and is entertaining
enough to do the pop-culture
stealth-feminism thing. The early
reaction from feminists was “This
is an important book!”, but the
opinions then swayed back and forth a
bit afterwards. I think
“important” is precisely the
right word, because it’s going to
work<\/em>.<\/p>\n
Teenage boys! Want to know about
teenage girls? Read this book. Men!
Want to read something that’s
genuinely hilarious and interesting,
even if you don’t
‘do’ feminism?
Read this book.<\/em> It’s
angry without being exclusionary,
very funny, very honest, and has a
real shot at inspiring a new
generation to become
feminists.<\/p>\n
Top marks, Moran.<\/p>\n