{"id":6772,"date":"2011-08-09T09:00:32","date_gmt":"2011-08-09T08:00:32","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=6772"},"modified":"2011-08-09T09:00:32","modified_gmt":"2011-08-09T08:00:32","slug":"cinderella-punches-monsters","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2011\/08\/09\/cinderella-punches-monsters\/","title":{"rendered":"Cinderella Punches Monsters"},"content":{"rendered":"
Team BadRep were put on the spot again this month: in the wake of SDCC
Batgirl<\/a> igniting the gender-and-comics conversation loud
‘n’ proud, the team were asked to take a look at their favourite
comic book titles and characters – some obvious choices, some less
so… and here’s Rob.
\u201cEveryone knows my story. I get dressed up. The clock strikes
twelve. I lose a shoe. And it\u2019s all downhill from there. My name is
Cinderella, Cindy to my friends. Don\u2019t tell anyone, but I\u2019m a
spy. One of the best, even if I\u2019m being humble. And there are times
I love my job.\u201d <\/p>\n
– Cinderella, From Fabletown with Love<\/p><\/blockquote>\n
Swapping the genders of characters around to put female characters in
the roles usually filled by men and vice versa isn\u2019t anything
shockingly new. But that doesn\u2019t make it any less cool when someone
goes and does it well. Which, arguably, is exactly what Cinderella<\/strong><\/a> (in her spin-off miniseries from the
Fables <\/strong> universe) does. (Note: this recommendation is
based on the first volume of her tales, From Fabletown With Love<\/strong><\/a>. I haven\u2019t read the
second arc yet,
Fables Are Forever<\/strong>.)<\/p>\n
Cinderella, as far as most of her fellow Fables know, is an
empty-headed fashionista, owner of the local shoe shop, and
one of Prince Charming\u2019s ex-wives. What most of them
don\u2019t know is that she\u2019s also a master spy and
sometimes assassin, their very own James Bond. Only
better.<\/p>\n
We open with Cinderella punching out a gun-toting mook, diving
off Big Ben\u2019s clock tower, and hang-gliding out over
London. It\u2019s one hell of an introduction and far from the
most kickass moment she gets in the book. Along the way, she
also finds time to kick the ever-loving crap out of some
shapeshifting monsters, storm an oil rig, deal with armed
assassins and overthrow an evil regime with a well-thrown
clog.<\/p>\n
So her badass credentials are certainly up to spec for the
super-spy genre, but what else? Well, it wouldn\u2019t be a
spy story without a Bond girl. That role here is ably filled
by Aladdin, Cinderella\u2019s intelligence-gathering
counterpart from the Baghdad Fable community. True to form
he\u2019s capable and effective but not quite up to
Cinderella\u2019s level and practically carries a glowing neon
sign reading \u201ccapture and imprison me so I can be
daringly rescued!\u201d.<\/p>\n
There are two particularly nice little points in the
interaction between Cinderella and Aladdin. First up, the
hook-up that\u2019s pretty much inevitable with the genre.
When it does happen, Cinderella is very definitely the active
party in deciding when and initiating things. There was the
risk that we\u2019d see that whole scene take a more
traditional approach, which would have entirely undermined the
character, but fortunately she remains entirely herself and
entirely in charge.<\/p>\n
The other nice moment is the ideological exchange between
them, shortly after they get done kicking monsters in the jaw
for the first time. The conversation comes round to Islam and,
honestly, it\u2019s handled pretty fairly. It\u2019s only one
page worth of stuff, but writer Chris Roberson deals with it
well. It\u2019s certainly a nice change from the slightly
cringe-inducing pro-Israel speech Bill Willingham included in
the main Fables series.<\/p>\n
The art is pretty solid too. At no point, as far as I can
tell, does Cinderella adopt that
terrible spine-breaker pose<\/a> so commonly inflicted on
comic book women. The outfits are sensible too, with the
daring infiltration of an old oil platform taking place in
appropriate combat gear and her regular wear never getting any
more risqu\u00e9 than an evening dress. (Well, one of the
covers does feature a wetsuit with an inexplicable cleavage
window. Cleavage windows aside, Chrissie Zullo\u2019s work on
the covers is gorgeous.)<\/p>\n
\n<\/strong><\/p>\n