<\/a>Juana
in 1666, aged 15, looking super knowledgable<\/p><\/div>Sor Juana (1648
– 1695) was a writer and polymath living in what was known at the
time as New
Spain<\/a>. Today we recognise the area as Mexico and Sor Juana is
generally accepted as being amongst the first of the Mexican canon. She
was born the illegitimate daughter of a Spanish captain who left her to be
raised by local family.<\/p>\n
Juana demonstrated her latent awesome from an early age. Sneaking away
from family gatherings to read her grandfather\u2019s books, she’d
picked up Greek, Latin and Nahuatl<\/a> by her
teens, composing poetry and teaching younger children. If you want to keep
some a scorecard of achievements here, that\u2019d be four languages
self-taught to the level of writing poetry in them and teaching them to
others by early adolescence.<\/p>\n
Wanting something a little more formal than teaching herself from borrowed
books, Juana asked her family for permission to disguise herself as a man
in order to gain access to the university in Mexico City. Her family were
not keen and permission was denied, so instead she found private tutoring
from the Vicereine Leonor Carreto.<\/p>\n
The Viceroy was intrigued by this apparent prodigy studying under his
wife, and seemed to doubt that a 17-year-old woman could have the
intellectual prowess she claimed. He set her a test (because apparently
that\u2019s what you do when someone is awesome; you make them jump
through hoops to prove it): many of the country\u2019s leading minds were
invited to put difficult questions to her in fields of law, literature,
theology and philosophy, and to have her explain difficult concepts
without preparation. You can probably guess what happened. If you
can\u2019t guess, here\u2019s what happened: she kicked intellectual
ass.<\/p>\n
Over the next few years the now really rather popular Juana would reject
several marriage proposals from assorted influential types before, in
1669, entering a Hieronymite<\/a>
convent.<\/p>\n
Sor Juana made for a rather unusual Sister. Set against the social
pressures of the time, prevailing attitudes in the church, and the
continued influence of the Spanish Inquisition, she wrote works that
bordered on the heretical in their focus on freedom, science and the
education of women. One surviving, translated example of her work,
Redondillas<\/strong>, deals with the madonna\/whore complex, and the
issue of whether someone who pays for sin is any better than someone who
is paid for it.<\/p>\n
“The greater evil who is in-
\nWhen both in wayward
paths are straying?
\nThe poor sinner for the pain
\nOr he who pays for the sin?” <\/p>\n
– Sor Juana, Redondillas<\/p><\/blockquote>\n
In 1690 the pressure against Sor Juana began to mount. A letter was
published attacking her intellectual pursuits, and several
high-ranking church officials spoke out against her. On her side she
had the Viceregal court and the Jesuits, who remained impressed by
her intellect and works. She also had a lot of popular appeal, being
considered at the time to be one of the first great writers to
emerge in the country.<\/p>\n
The support bought her the time to write an open letter to her
critics, in which she defended the right of women to proper
education. Even with powerful friends, it takes some distinct
bravery to stand up to not only the Inquisition, but to the very
church institution that you\u2019re a part of via your convent, and
tell them just why they\u2019re wrong.<\/p>\n
Unfortunately, it didn\u2019t last. Details get a bit fuzzy here,
and it\u2019s possible that some of the letters involved were not in
fact by Sor Jauna but merely had her name stuck at the bottom. What
is clear is that around about 1693 the official censure became too
much and Sor Jauna stopped writing (or at least, stopped making
public things that she had written.) Her personal library of books
and scientific instruments, which by that point consisted of some
4,000 or so volumes, was sold off. <\/p>\n
A year later Sor Juana died when a plague hit the convent. She had
done what she could to tend to the other sisters who were afflicted,
but succumbed after a few weeks. She left behind a legacy as one of
the most important poetic writers in recent South American
history.<\/p>\n
Part of what makes Sor Juana\u2019s story fascinating is the
difference 100 years made between her reception and that of Maria
Agnesi. Both were fiercely intelligent, both spoke and wrote in
multiple languages across an array of subjects, and both ended up in
a convent. But where Agnesi was offered a professorship by the Pope,
Sor Juana was censured and driven to abandon her lifestyle.
It\u2019d be interesting to see what Sor Juana might have managed,
had she born a little later.<\/p>\n