{"id":6147,"date":"2011-11-07T09:00:29","date_gmt":"2011-11-07T09:00:29","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=6147"},"modified":"2011-11-07T09:00:29","modified_gmt":"2011-11-07T09:00:29","slug":"my-first-love-star-trek","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2011\/11\/07\/my-first-love-star-trek\/","title":{"rendered":"My First Love: Star Trek"},"content":{"rendered":"
If you asked me what my favourite TV show was, I could pick any number of
shows at this point. I’m a bit of a small screen geek, and I collect
shows (and their associated fandoms) almost as quickly as I lose interest in
them once I’ve milked them of all the interesting bits. But only a few
shows have stood the test of time, and one of them is my first love. I bet
it’s your first love, too. In fact, it’s the first love of so many
people that there’s a whole name for people like me:
Trekkie<\/a><\/em>.<\/p>\n
Let’s be honest,
Star Trek<\/strong> has had some bad press over the years. Its gender
politics were sometimes a bit wonky. Its racial politics also wobbled
a bit. Its view of homosexuality was that it didn’t exist, and
if it did, only aliens were gay (and if they were hot, semi-naked
female aliens, so much the better). Most people in the Western world
have seen at least one episode of the original series, and if they saw
it at any point other than the ’60s, they may have formed some
negative views. There were probably Forehead Aliens involved, and the
sets probably wobbled a bit. Captain Kirk spoke… with
many… pauses… and… gestures. Spock raised an
eyebrow. McCoy said, “He’s dead, Jim,” and at least
one redshirt died to prove it was serious. And maybe it was
interesting at the time, and had some interesting ideas, but then ten
million spin-offs followed, and then there was a film<\/a>, and Zoe
Saldana ran around in a miniskirt while Chris Pine fought Zachary
Quinto in an erotically-charged episode of fisticuffs on the
bridge.<\/p>\n
This is all true, and the less said about the debacle of
Enterprise,<\/strong> the better. But the thing is, none of this
detracts from the achievements of the original series. I’ll
start with this cast photo…<\/p>\n Original Trek, second season cast. Image
(c) Paramount<\/p><\/div>\n
You’ll notice several things immediately:<\/p>\n
1) everyone is wearing implausible outfits and has magical
levitating hair;<\/p>\n
2) the women are in miniskirts; and<\/p>\n
3) the Russian guy is
definitely<\/em> wearing a wig.<\/p>\n
But look a bit closer. This is a second season cast photo,
so that places it in 1967\/8, in a show marketed as
“Wagon Train to the Stars”<\/em>. There are
people of different ethnicities and backgrounds, and there
are also two women. Neither are secretaries.<\/p>\n
I could talk at length about what
Star Trek<\/strong> has done in promoting a vision of
a multicultural, utopian future. The crew included a
Russian crewmember at a time when the Cold War was
going strong; it included a Japanese crewmember not so
very long after WWII and not in a chop socky or waiter
role. It featured the first interracial kiss on
American television, when Kirk and Uhura are forced to
embrace in the otherwise execrable episode,
Plato’s Stepchildren. <\/em>(In fact, the
actors ensured that the actual kiss, rather than a
simulated one, was shown, by pulling faces in all
subsequent retakes.) The Federation itself is a
multicultural utopia, where member nations hate each
other and violently disagree on everything, and yet
will work together for the common good just the
same.<\/p>\n
I could focus instead on the technological
impact. I could talk about classic
Trek<\/strong> ‘inventing’ a
cornucopia of future
tech<\/a>, from mobile<\/a>
phones<\/a>
to warp<\/a>
drive<\/a>
to transporters<\/a>.
Sure, warp drive remains an impossibility, and
thus far transporters have only managed to
send bits of plastic from one transporter to
another, more akin to
The Prestige<\/strong> than true
teleportation, but how many people were
thinking about it at all before
Trek<\/strong> dreamed it up? Someone
always has to dream up the idea before it
can be invented. Sure,
Trek<\/strong> only invented their
Feinbergers because they didn’t
have enough money and had to make do
from scrounging through the waste bins
of other shows, but that’s the
beauty of it. Other people’s
rubbish – when painted purple and
hung on the wall – was enough to
inspire people. Now
that’s<\/em> impressive.<\/p>\n
Or I could discuss the creation of
slash fiction, of how it came
about in the 1970s in
response <\/a>to the cancellation<\/a>
of
Trek<\/strong>. Of how fans
– primarily female and in
their 20s and 30s – loved
the characters and missed them
so much that they got together
and wrote stories for them. Many
of them got published and ended
up on the New York Times
bestseller list – AC
Crispin’s
Yesterday’s
Son<\/strong> was a fanzine
before it was a book, for
instance. I could talk about
how they took the names Kirk
and Spock and made them into
Kirk\/Spock, the slash in the
middle indicating a homoerotic
relationship. I’ve read
the early slash efforts, and
frankly, they’re not
terribly good: it’s
primarily people writing about
sex they’re not having,
in plots that aren’t
convincing, with art that is a
bit lacking. But the thing is,
it’s astonishing that
those early fanzines existed
at all, that communities
sprung up with such fervour
and dedication to focus on one
little show, long-cancelled.
These days,
‘slash’ means an
m\/m story, irrespective of
fandom. Many young fans have
no idea of the origin of the
term and, influenced in equal
measure by anime yaoi naming
conventions, will mark the
pairing with an x (eg.
KirkxSpock), yet still refer
to the relationship as
‘slash’. The name
endures.<\/p>\n
That’s not all that
Trek<\/strong> decided
online. When the internet
started up, the
Trek<\/strong> groups
had a tricky problem:
both classic and
TNG<\/strong>‘s
main characters shared
letters. This was a
disaster at a time
when Usenet was the
main source of
contact, and subject
lines were limited to
a small number of
characters. Naming and
pairing conventions
quickly sprang up,
with the order of the
letters indicating the
pairing. American film
rating systems were
brought into use.
[FIC] TOS: New
Dawn, K\/S<\/em>,
Mc, NC-17
(1\/1)<\/em> was
instantly
decipherable as a
post title.
Trek<\/strong>
fandom has had a
massive impact
on fandom in
general, its
conventions and
rules seeping
through a
multitude of
others.<\/p>\n
Then there
are the
people that
Trek has
influenced.
How about
Rev.
Martin
Luther
King<\/strong>,
for
example?
In a
candid
conversation
with Nichelle<\/a>
Nichols<\/a>,
he
expressed
his
admiration
for her
work as
Uhura, and
urged
her to
remain on
the
show<\/a>
at a time
when she
was considering
quitting<\/a>.
Or maybe
Dr Mae
Jamison<\/strong><\/a>,
the
first
African
American
woman in
space.
She,
too, watched
the show
as a
child
<\/a>and
was
inspired
by the
example
<\/a>that
Nichelle
Nichols’
Uhura
set.<\/p>\n
“I’ll
protect
you,
fair
maiden.”<\/p>\n
“Sorry,
neither!”<\/p>\n
–
Sulu
tries
to
‘rescue’
Uhura,
but
she’s
having
none
of
it
in
the
first
season
episode,
The
Naked
Time<\/strong>.<\/p><\/blockquote>\n Mae
Jamison,
being
awesome.<\/p><\/div>\n
How
can
you
NOT
love
a
show
that
gives
you
this
much
awesomeness?<\/p>\n
“Ah,”
I
hear
you
cry,
“but
you’ve
only
talked
about
the
impact<\/em>
of
the
show,
not
the
show
itself!
I
distinctly
recall
some
dodgy
gender
politics
at
work…”<\/p>\n
Yes.
OK,
I
admit
it.
Star
Trek<\/strong>,
like
many
shows
at
the
time,
had
its
writing
farmed
out
to
a
pool
of
writers
that
took
story
outlines
and
turned
them
into
scripts.
Maybe
they
knew
and
loved
the
show
and
its
characters,
maybe
they
didn’t
know
them
from
Adam.
Sometimes
you
had
Harlan
Ellison
delivering
City
on
the
Edge
of
Forever<\/em>,
and
sometimes
you
had
Arthur
Heinemann’s
The
Way
to
Eden<\/em>,
where
space
hippies
sing
songs
and
the
viewer
writhes
in
agony.
So
what?
No
show
out
there
can
claim
to
have
100%
hit
rate,
and
when
Trek<\/strong>
got
it
right,
they
really<\/em>
got
it
right.
So
here
are
a
few
episodes
to
check
out,
mostly
from
Season
1,
but
a
couple
from
the
later
seasons:<\/p>\n
“There’s
no
right
way
to
hit
a
woman.”<\/em><\/p>\n
–
James
Kirk
to
Charlie
X,
after
the
latter
slaps
Yeoman
Rand’s
bottom,
Charlie
X<\/strong>.<\/p><\/blockquote>\n
“Your
world
of
starship
captains
doesn’t
admit
women.”<\/p>\n
–
Janice
Lester,
Turnabout
Intruder<\/strong><\/p><\/blockquote>\n
Wobbly Utopia<\/h3>\n
<\/a>
Living in the Future<\/h3>\n
Fandom<\/h3>\n
Making
History<\/h3>\n
<\/a>
A
Handy
Viewing
Guide
for
the
New
Recruit<\/h3>\n
\n
Trek
and
Me<\/h3>\n