{"id":5280,"date":"2011-05-06T09:00:24","date_gmt":"2011-05-06T08:00:24","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=5280"},"modified":"2011-05-06T09:00:24","modified_gmt":"2011-05-06T08:00:24","slug":"fairy-tale-fest-ten-postmodern-pop-fairytales-for-your-ipod-part-two","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2011\/05\/06\/fairy-tale-fest-ten-postmodern-pop-fairytales-for-your-ipod-part-two\/","title":{"rendered":"Fairy Tale Fest: Ten Postmodern Pop Fairytales for your iPod, Part Two!"},"content":{"rendered":"
WELCOME BACK, AVID POP CULTURE ADVENTURERS, TO THE AMAZING CALVALCADE OF FAIRYTALE POP AND YOUTUBE CAR CRASHES. <\/p>\n
The drill, as per Part One<\/strong><\/a>: to take a look at some fairytale-inspired pop
songs (and occasionally, where appropriate their music videos). Just a
personal list, no order of preference, and please do leave your own links
and recs in the comments! And now, ONWARDS. <\/p>\n
PART TWO OF MIRANDA\u2019S PILE OF POP PRINCESSERY, FROM 5 to
1!<\/strong><\/p>\n
5. Paramore:
Brick By Boring Brick<\/EM> <\/strong> <\/p>\n
4. Sara Bareilles –
Fairy Tale<\/EM><\/strong> <\/p>\n
Piano-hammering, bluesy
Sara Bareilles<\/strong> nails it with this neat slice
of deadpan songwriting, and the video’s a delight.
The tall blonde lets out a cry of despair,
says\/”Woulda cut it myself if I knew men could
climb hair!\/I’ll have to find another tower
somewhere \/ and keep away from the
windows…”<\/em><\/p>\n
3. Nicki Minaj:
Moment 4 Life<\/em><\/strong><\/p>\n
In itself, the song’s not about
fairytales per se, until you watch it with the
video, and look at what R&B\/rap diva
Nicki Minaj<\/strong> has done with it.
<\/p>\n
Nicki’s Barbie-inspired image and
oft-compared-to-Lil’ Kim\/Lady Gaga
aesthetics have
inspired<\/a> some
debate<\/a>, which I won’t go into
here. This vid, on the surface, is a
standard fluffy fairytale wedding sequence
with some added bling. But it contains
some little touches that made me smile
– like the Disney-style manuscript
page at the start:
Once Upon a time there was a King named
Nicki. One day, while sitting on her
throne… <\/em> The use of
“king” alongside the female
pronoun is striking, especially when
Nicki doesn’t then show up in a Do
It Like A Dude-style scenario –
instead, we find her dolling up in a
ballgown and sparkly ultra-femme
Cinderella-style heels.
In this very moment I’m King \/
In this very moment I slay Goliath
with the sling<\/em>, is her battlecry
as she flounces off to her fairytale
wedding (in a pink wig) to Canadian
rapper
Drake<\/strong> (who alludes a
little to kingship in his own
lyrics. Sorry Drake, but the Magic
Kingdom belongs to King Nicki.
You’ll have to be the royal
consort). It’s also a nice
touch that Minaj plays her own fairy
godmother in the opening preamble,
and that it’s not clear what
either of them wants (though I
concede this also owes quite a bit
to the bewildering mixture of clunky
dialogue, pointless Minaj fanbase
in-jokes, and a cringingly bad
attempt at a Brit accent). Thanks to
these little quirks, the whole
vid’s a slightly
left-of-centre affair, and much the
better for it. Within the parameters
of what she’s doing, Nicki
Minaj is doing genuinely interesting
things, and making great pop to
boot. <\/p>\n
2. Natalia Kills:
Wonderland<\/em><\/strong>
<\/p>\n
I include this, perhaps
reluctantly, as it’s
on the soundtrack to
Beastly<\/strong>, the
recent (and mind-numbingly
bland) teen-movie
retelling of Beauty and
the Beast. It wants to be
a punchy, stompy serving
of electropop, but
it’s somehow just
not very memorable. Never
mind, though: the video is
here to HEAVILY COMPENSATE
and hit you round the face
with ANGELA CARTERY TROPES
BINGO! It’s as
though Natalia’s
pitched a tent down the
road from Nicki Minaj, but
in an effort to kick some
carnality into the visuals
she’s kicked the
heart out too. It’s
like
Sucker Punch<\/strong>
in music vid form
– Red Riding
Hooded Natalia is
arrested by riot police
(off to a good start, I
thought, until the words
LOVE IS PAIN<\/em>
flashed across the
screen) and escorted,
struggling, to a mad
hatter-style party
where she eats some
food suggestively and
picks her way along a
table littered with
cupcakes decorated
with Barbie-doll body
parts. This all
happens between bursts
of GRAPHICS++ where
the word
CENSORED<\/em>
keeps appearing on
her mouth and
occasionally covers
the whole screen.
This isn’t a
critique of
anything, more just
a reminder that THIS
SHIT IS EDGY. The
whole thing’s
a bit like
Cliff Notes: The
Bloody
Chamber<\/em>
mashed in a
blender and then
force fed through
your eyes, and
with all the
subtlety of “Woman!
Woe,
mannn!”<\/a>.
It’s as
thematically
undemanding as
Minaj’s
effort but without
the endearing
quirks, or at
least, none that
don’t feel
forced and nicked
from Lady
Gaga’s
cutting room
floor. <\/p>\n
The best thing
in the whole
video is the
rabbit.<\/p>\n
1. The
Imagined
Village:
Tam Lin
Retold<\/em><\/strong><\/p>\n
And now, I
throw
aside
towers,
princesses
and
dresses
(and,
arguably,
“pop”)
in favour
of
something
slightly
different.
<\/p>\n
Rob’s
post
yesterday
mentioned<\/a>
that fairy
tales are
more
diverse
than we
often care
to think.
There’s
an entire
tropeful
of
“quick
witted
women”
out there
alongside
the
“passive
princess”
stereotype,
if
you do
your
reading<\/a>,
and the
Scottish
ballad\/folk
story of
Tam Lin is
an
example.
<\/p>\n
Here’s
a neat
blog post
about the
Tam Lin
story<\/a>
which
compares
it a
little to
Beauty and
the Beast.
In short,
daughter
of a
nobleman
becomes
pregnant
by Tam
Lin,
notoriously
predatory
forest-dwelling
faery guy.
She sets
out to
claim him
as the
father and
learns
that he is
in thrall
to the
Faery
Queen, who
may soon
be sending
him to
Hell as
part of a
tithe of
souls she
has agreed
to pay.
Janet
decides to
rescue
him, and
ultimately
succeeds.
Rescuing
him
involves
pulling
him off
his horse,
and
holding on
to him
while he
transforms
into
various
wild
beasts (a
la Peleus
and
Thetis<\/a>,
but with
the gender
roles
reversed
and more
consensual!),
and hot
coals, at
which
point she
sensibly
chucks him
into a
well.<\/p>\n
This
version of
the story,
recorded
for the Imagined
Village<\/strong><\/a>
project,
updates
the
setting
and has
the Tam
Lin
character
as an
illegal
immigrant.
After an
initial
one
night
stand at
a club,
Janet
seeks
him out
during
her
pregnancy
and
agrees
to
attend
his
court
hearing,
during
which
his
transformations
are
metaphorical
rather
than
physical
as the
lawyers
paint
him as a
“victim”
and a
“loser”,
and so
on. The
song is
a
mesmerising
fusion
of
musical
styles
and
cultures
–
dub poet
Benjamin
Zephaniah<\/strong><\/a>
provides
vocals,
with
assistance
from
folk
singer
and
musician
Eliza
Carthy<\/strong><\/a>.
<\/p>\n
This
take
concentrates
on
Tam
Lin
and
Janet
as
a
unit,
which
means
Janet’s
status
as
the
POV
character
is
changed,
and
it’s
less
about
her
sole
quest
to
tame
the
wild,
fae
Tam
Lin
(and
resolve
the
social
isolation
her
unmarried
pregnancy
threatens
by
claiming
the
husband
of
her
choosing).
Instead,
it’s
centred
round
their
efforts
together
to
change
the
court’s
view
of
Tam
Lin
as
an
“alien”
so
that
they
can
be
together.
It
really
works,
though,
and
I
think
it
illustrates
the
fact
that
folk
and
fairy
tales
are
enduring
not
simply
because
of
“patriarchal
norms”
or
“tradition”
per
se,
but
also
because
they
are
patient
to
a
whole
range
of
interpretations
and
ways
to
tell
a
story.
<\/p>\n
Bonus
Track:<\/strong><\/p>\n
\n
<\/BR>
\nThat’ll
be
all
from
me.
Feel
free
to
rec
your
own
songs,
vids,
and
bands
in
the
comments!<\/p>\n