{"id":3912,"date":"2011-03-16T09:00:28","date_gmt":"2011-03-16T09:00:28","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=3912"},"modified":"2011-03-16T09:00:28","modified_gmt":"2011-03-16T09:00:28","slug":"rebranding-feminism","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2011\/03\/16\/rebranding-feminism\/","title":{"rendered":"(Re)Branding Feminism"},"content":{"rendered":"
CC picture by Gerard Stolk, 2011<\/p><\/div>\n
\u201cGreat brands tell stories. They\u2019re a mix of truth and symbols.\u201d Brand strategist Alison Camps kicked off the\u00a0(Re)Branding Feminism<\/a> conference on 1st March with an introduction to the concept of branding, and some examples from her career. The one she selected as a case study with particular relevance for feminism was Skoda in the early 1990s: the \u201cbrand from hell.\u201d<\/p>\n
The conference was very firmly about considering representations of modern feminism and not making plans about how best to \u2018sell\u2019 feminism to the masses. I\u2019m a persuader by trade, so I have a practical interest in how best to present feminism to an indifferent, sceptical or rabidly hostile audience. But I also love my gender theory, so a spot of academic inquiry made a nice change from activism, and I was sad I could only attend the first day.<\/p>\n
My favourite paper was Jean Owen\u2019s \u2018Of feminism born\u2019, which looked at the prevalence and problems of using familial metaphors in the feminist movement. The political concept of sisterhood began as a strategy of resistance to masculine structures of patriarchy and \u2018brotherhood\u2019. It is undeniably powerful, especially for women that have experienced the isolation of being the lone feminist voice in their community. But sisterhood has become a \u201cuniversalising metaphor\u201d that \u201cimplies an all-encompassing, somewhat stifling organisation\u201d. And now that feminism is intergenerational, parental hierarchies have re-emerged – we are not only sisters but cultural mothers and daughters of feminism.<\/p>\n
Through this way of talking about ourselves, Owen argued, we risk \u201cpandering to fantasies of a matriarchy\u201d and create a falsely cosy, sentimentalised idea of what is in reality a diverse and radical movement. In my experience, contemporary feminism already has tremendous respect for previous generations, but by formalising it in this way we undermine our own project of equality and put in place privileged feminist \u2018bloodlines\u2019. Owen advises that \u201cwe need to remove ourselves from the trap of family\u201d and predicate our movement on a \u201cmore involved social model\u201d.<\/p>\n
I agree with all of this. In fact, my main problems with \u2018sisterhood\u2019 are that this language pretty definitively excludes men and reinforces the gender binary that I want to dismantle. That’s a long-term goal, by the way. Short-term is sorting out some of the urgent problems in the current system.<\/p>\n
Catherine Redfern (of
Reclaiming the F
Word<\/a><\/strong>, and, um, The F Word<\/a> fame) spoke
about the cyclical nature of calls to rebrand feminism, which can be
measured in women\u2019s magazine features. The call makes a couple of
big assumptions: that feminism is in\u00a0crisis and that applying
marketing principles will help.<\/p>\n
Redfern calmly exploded the first theory by referencing the research
for her book with Kristin Aune which showed that feminism is a
growing, thriving movement, and questioned the second. Mainstream
representations of feminism are too narrow, and don\u2019t reflect the
pluralism of the movement. But the F Word survey showed that women
became feminists when they learned about feminism, and not when it was
packaged with a free lipgloss. Who is a feminist because it\u2019s
fashionable? Surely we are insulting young women somewhat by trying to
package it as something \u2018cool\u2019.<\/p>\n
The other papers were very interesting, and included a brief history
of the stiletto heel, a smart analysis of those Suit
Supply ads<\/a> and the \u2018desire of indifference\u2019 and an
introduction to the Brinkley
Girl<\/a>. But the only one which directly commented on the idea of
\u2018branding\u2019 feminism was from Catherine Maffioletti, who made
some good points about the tension between the \u201cwild and
divided\u201d nature of feminism and the patriarchal (and capitalist)
project of naming and fixing its meaning in a saleable product. As
Maffioletti said, \u201cbranding difference is an impossible
project\u201d. Feminism is \u201cemergent\u201d, \u201ca mobilising
force\u201d, something alive and oppositional that can\u2019t be
pinned down, boxed up and sold.<\/p>\n
As the day went on I started to feel the burden of pragmatism
weighing on my shoulders and spoiling the fun, as it often does.
There\u2019s a little voice inside me always wanting to know: what
are we going to
do<\/em> about this? What\u2019s the
plan<\/em>? That\u2019s not what the conference was about, but
I started wondering about practical applications.<\/p>\n
I think a serious attempt to \u2018rebrand\u2019 feminism
would be madness, because it
is<\/em> \u201cwild and divided\u201d; it\u2019s plural and
adaptable, and means too many different things to too many
people, and I\u2019m nearly ready to argue that\u2019s one
of its strengths. As Catherine Redfern pointed out, feminism
is a leaderless grassroots movement; who would have the
audacity to try and redefine it?<\/p>\n
But I reckon that as individual feminists and as groups of
feminists, we could do a lot more to broaden
representations of feminism, to counter the negative
stereotypes, to make the case more effectively without
letting the end run away with the means.<\/p>\n
You don\u2019t have to call it marketing. It\u2019s as
simple as putting yourself in someone else\u2019s shoes,
understanding their criticisms and concerns and addressing
them, learning what they want, and showing them how you
can help.<\/p>\n
Or if that sounds too cuddly, you can call it
propaganda.<\/p>\n
I’m not a marketer, but…<\/h3>\n