{"id":3608,"date":"2011-03-01T09:00:42","date_gmt":"2011-03-01T09:00:42","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=3608"},"modified":"2011-03-01T09:00:42","modified_gmt":"2011-03-01T09:00:42","slug":"women-in-horror-five-recommended-writers","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2011\/03\/01\/women-in-horror-five-recommended-writers\/","title":{"rendered":"Women in Horror: Five Recommended Writers"},"content":{"rendered":"

As Women in Horror Recognition Month<\/strong><\/a> draws to a close, we asked horror author Maura McHugh<\/strong> to tell us about it and give us some reading recommendations. Here’s what she had to say.<\/em>\"Banner<\/a><\/p>\n

If you like scary stories and those who create them, you might be interested to know that February was Women in Horror Recognition Month<\/strong><\/a>. This is the second year of the initiative, which was started by Hannah Neurotica<\/a> out of frustration because of the often-repeated myth that ‘there are no women creating horror’.<\/p>\n

While women participate in the horror industry (literature, films, comic books, video games, etc) in fewer numbers than men, they are not absent. Many of them have been working in the field for a very long time, and have considerable credentials. Yet somehow they are rarely remembered and people scratch their heads when trying to recollect their names.<\/p>\n

Where women are featured in horror events or magazines there is often an over-emphasis on actresses (Scream Queens<\/a> and Last Girls<\/a>) rather than the novelists, screenwriters or directors who are also involved in the field. No doubt this is due to two factors: an over-abundance of male journalists who want to meet their favourite actress, and the usual cultural bias that stresses the value of a woman’s appearance over the strength of her other talents.<\/p>\n

No one dismisses the importance of actresses, since women are under-represented in film and television<\/a> anyway, but women and men deserve more exposure to the variety of work that women accomplish in the field.<\/p>\n

Need recommendations?<\/p>\n

Here are five of the current crop of female horror writers who are well worth reading.<\/p>\n

USA: Sarah Langan<\/a><\/h3>\n

\"Cover<\/a>Sarah grew up in Long Island, but went to university in Stephen King territory (Maine), before completing an MFA at Columbia University. After starting to write and publish short stories she graduated quickly onto novels, and in 2006 The Keeper<\/strong> was published to widespread critical acclaim.<\/p>\n

Since then she has published two more novels, The Missing<\/strong> (2008) and Audrey’s Door <\/strong>(2009), numerous short stories and one audio drama, Is This Seat Taken<\/strong> (2010)<\/a>.<\/p>\n

She’s won three Bram Stoker Awards (two for Best Novel, and one for Best Short Fiction), and a Dark Quill Award.<\/p>\n

Canada: Gemma Files<\/a><\/h3>\n

Gemma was born in the UK, but moved to Toronto, Canada when she was a year old. She graduated university with a degree in journalism, and began her career with an eight-year tenure at Eye Weekly<\/strong> in Toronto, where she established her reputation as a genre-friendly film critic.<\/p>\n

\"Cover<\/a>Five of her short stories were adapted for the US\/Canadian horror television series, The Hunger<\/strong><\/a> (1997-2000), and she wrote the screenplays for the episodes from the second series “Bottle of Smoke” and “The Diarist”. She also taught screenwriting for eleven years. Her short story “The Emperor’s Old Bones”, won the International Horror Guild Award for Best Short Story of 1999. Two collections of her short stories are available: Kissing Carrion <\/strong>(2003) and The Worm in Every Heart <\/strong>(2004).<\/p>\n

Gemma’s first novel, A Book Of Tongues<\/strong> (2010), the first book in her Hexslinger series, won the 2010 Black Quill award for “Best Small Press Chill” (both Editors’ and Readers’ Choice) from Dark Scribe Magazine. The sequel, A Rope of Thorns<\/strong>, is due in May 2011.<\/p>\n

Australia: Kaaron Warren<\/a><\/h3>\n

Kaaron was born in Australia, and after a sojourn in Fiji has returned to Canberra, Australia. Her horror short fiction has been gaining attention since she was first published in the early 1990s. She’s now had over 70 stories published in a variety of venues, and has two collections in print: The Grinding House<\/strong> (2005) and Dead Sea Fruit<\/strong> (2010).<\/p>\n

\"Cover<\/a>Her debut novel Slights<\/strong> (2009), was published to much attention due to its disturbing premise and gripping prose style, and she followed it quickly with Walking the Tree<\/strong> (2010) and Mistification<\/strong> (2011).<\/p>\n

In 1999 she won the Aurealis Award for best horror short story, and in 2006 she won the Ditmar Award for Best Short Story and Best Novella\/Novelette. She also bagged the 2006 ACT Writing and Publishing Award for best fiction. In 2010 she won a Ditmar Award again, this time for Best Novel for Slights<\/strong>.<\/p>\n

UK: Sarah Pinborough<\/a><\/h3>\n

Sarah was born in Buckinghamshire, and she spent her early childhood travelling in the Middle East because of her father’s career as a diplomat. After college she worked as a teacher before becoming a full time writer.<\/p>\n

She’s published six horror novels with Leisure Books – The Hidden <\/strong>(2004), The Reckoning<\/strong> (2005), Breeding Ground <\/strong>(2006), The Taken<\/strong> (2007), Tower Hill<\/strong> (2008), Feeding Ground <\/strong>(2009) – and a tie-in novel for the Torchwood TV franchise, Torchwood: Into The Silence<\/strong> (2009).<\/p>\n

\"Cover<\/a>Her futuristic horror crime novel, A Matter of Blood<\/strong>, the first of her Dog-Faced Gods<\/strong> trilogy, was released in March 2010. She is also publishing a Young Adult fantasy trilogy called The Nowhere Chronicles<\/strong> under the name of Sarah Silverwood. The first book in the series, The Double-Edged Sword<\/strong>, was published last year.<\/p>\n

Her story The Language of Dying<\/strong> won the 2010 British Fantasy Award for Best Novella.<\/p>\n

USA: Mira Grant<\/a><\/h3>\n

Mira is the pen name of the multi-talented writer\/illustrator\/composer\/singer Seanan McGuire<\/a>, who is the author of the October Daye<\/strong> and InCryptid<\/strong> series of urban fantasy novels.<\/p>\n

Last year her zombie horror novel, Feed<\/strong>, written as Mira Grant, was published to considerable popularity. The sequel, Deadline<\/strong>, is due out in May 2011, and her Newsflesh<\/strong> trilogy will be rounded up with the publication of Blackout<\/strong> next year.<\/p>\n

\"Cover<\/a>Seanan was the winner of the 2010 John W Campbell Award for Best New Writer, and Feed<\/strong> was named as one of Publishers Weekly<\/strong>‘s Best Books of 2010.<\/p>\n

It’s difficult to pick five out of such a talented field, so I feel obliged to list a number of other writers people should read: Lisa Morton<\/strong>, Margo Lanagan<\/strong>, Tananarive Due<\/strong>, Caitlin R Kiernan<\/strong>, Sara Gen<\/strong>, Lisa Tuttle<\/strong>, Kathe Koja<\/strong>, Joyce Carol Oates<\/strong>, Nancy Holder<\/strong>, Catherynne M Valente<\/strong>, Holly Black<\/strong>, Yvonne Navarro<\/strong>, Lisa Mannetti<\/strong>, Tanith Lee<\/strong>, Lucy Snyder<\/strong>, Marjorie Liu<\/strong>, M Rickert<\/strong>, Mary SanGiovanni<\/strong>, Pat Cadigan<\/strong>, Melanie Tem<\/strong> and Helen Oyeyemi<\/strong>.<\/p>\n

We should also give a hat-tip to a representation of the women editors (some of whom are also writers) in horror, such as Ellen Datlow<\/strong> (Darkness: Two Decades of Modern Horror, Best Horror of the Year 2), Ann VanderMeer <\/strong>(Weird Tales), Heidi Martinuzzi<\/strong> (editor-in-chief of FanGirlTastic.com), Barbara Roden<\/strong> (All Hallows, At Ease with the Dead, co-edited with Christopher Roden), Paula Guran<\/strong> (Year’s Best Dark Fantasy and Horror), Nancy Kilpatrick<\/strong> (Evolve, Outsiders), Monica S Kuelber<\/strong> (Rue Morgue), Christine Makepeace<\/strong> (Paracinema) and Angela Challis<\/strong> (Australian Dark Fantasy & Horror).<\/p>\n

This is just a small sample of the talented women who are writing and editing horror. There are far more, with new writers breaking into the field every day. I take it as a good sign that this year’s longlist for the Bram Stoker Awards<\/strong><\/a> included a more diverse list of writers and editors.<\/p>\n

Of course, there are also many supportive men in the industry who have published women and promoted their inclusion.<\/p>\n

Let’s hope in a few years there will be no need for Women in Horror Recognition Month. For the moment, however, it’s a necessary reminder to strive for a better representation of the diversity of voices in the horror business.<\/p>\n

\"Headshot<\/a><\/p>\n