{"id":13965,"date":"2013-09-11T11:30:11","date_gmt":"2013-09-11T10:30:11","guid":{"rendered":"http:\/\/badreputation.org.uk\/?p=13965"},"modified":"2013-09-11T12:51:57","modified_gmt":"2013-09-11T11:51:57","slug":"what-does-an-inclusive-sci-fi-con-look-like-a-post-nine-worlds-roundtable","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2013\/09\/11\/what-does-an-inclusive-sci-fi-con-look-like-a-post-nine-worlds-roundtable\/","title":{"rendered":"What does an inclusive sci-fi con look like? A Post-Nine Worlds Roundtable"},"content":{"rendered":"
A little late in being posted, perhaps, but hopefully still of interest! In
which three BadReppers –
Hannah Chutzpah<\/strong>,
Stephen B<\/strong> and
Viktoriya<\/strong> – chat about their experiences at
Nine Worlds Geekfest<\/strong> this summer, and more generally
about conventions, fandom and feminism.<\/em><\/p>\n
<\/a>Stephen B:<\/strong> “I first noticed how unusually
inclusive Nine Worlds<\/a> was about two minutes after
collecting my badge from the front desk. Wandering down the
corridor I found myself in… a geek feminism<\/a> session. <\/p>\n
“I was greeted cheerfully and given a quick intro to
what was going on, and then left to join the various groups
sitting around the (very popular) room at tables and in
small lively seated circles on the floor. The crowd in this
room didn\u2019t know my views or that I write for BadRep,
and I\u2019m a straight white male – generally not a
famously marginalised group – but I felt immediately
welcome. <\/p>\n
“In the next room along, Bronies were playing guitar
and handing out cupcakes. They also had a rave DJ. In that
moment, I suspected this wasn\u2019t going to be a typical
SF convention.”<\/p>\n
Viktoriya:<\/strong> “I went to Nine Worlds and I
wasn’t groped, harassed, belittled or condescended
to. I felt comfortable enough to walk around dressed in
my own clothes, and not necessarily the elaborate armour
of ballgowns, cosplay or similar I’d adopted when
frequenting prior conventions. <\/p>\n
“More to the point, I felt comfortable enough to
go around ON MY OWN. I can’t stress this enough.
I stopped going to conventions because it had become
apparent to me that I was paying a great deal of money
to attend an event where it was pretty much guaranteed
that I would be assaulted in some way, whereas daily
assault is something most women can have for free
simply by walking down the street in London. Why pay
for the privilege?”<\/p>\n
“Not being groped, forcibly intoxicated,
called a cocktease, an uppity feminist, a silly
little girl, or asked to kiss someone for the
amusement of male onlookers \u2013 it was like a
whole new world.”<\/p><\/blockquote>\n
“Also, I managed to convince my work friend to
come with me to Nine Worlds. You guys, you have no
idea of the stress associated with this. <\/p>\n
“What if someone was a dick to her? What if
she was assaulted? What if she hated it? Then I
would be the work friend who convinced her to spend
money on the the thing that was dreadful. <\/p>\n
“So not being groped, forcibly intoxicated,
called a cocktease, an uppity feminist, a silly
little girl, or asked to kiss someone for the
amusement of male onlookers – it was like a
whole new world.”<\/p>\n
Stephen:<\/strong> “It seems that every big
convention recently has had a wave of harassment
and bad experiences for some attendees. NineWorlds
appeared to do things right instead, with a
kick-ass anti-harassment policy<\/a> and some seriously
great content.”<\/p>\n
<\/a>Hannah Chutzpah:<\/strong> “It was an
honour and a privilege to be asked to run
the creative writing
track<\/a>. I spent pretty much the whole
run-up panicking and convinced my everything
would be a huge disaster…. right up
until the second session where my longtime
frenemy – author Chris Farnell<\/strong><\/a> – gave
a talk on ‘Working the Time
Machine: writing time travel so it makes
sense’<\/a>. <\/p>\n
“We had a packed out room, with
people hanging out the doors. Then, as
the crowds left and I patted Chris and
myself on the back, starting to believe
this whole thing might work – this
toy car, sent by the Bronies (pictured)
whirred through the door full of
cupcakes.”<\/p>\n
Stephen: <\/strong>“Nine
Worlds is set up to include a wide
range of fandoms and geekery, and
all the different fans are welcome
in the same space. There was
so much<\/em> going on, I barely
saw the other Team BadRep
folks.”<\/p>\n
“It wasn’t just
‘here’s the gay
corner’, so it felt much
more open to (say) the B and
the T and the Q of
‘LGBTQ*’. Which
– as a bi girl – I
found very, very
refreshing.”
<\/p><\/blockquote>\n
Hannah:<\/strong> “I
didn’t get out to as
much of the rest of the fest
as you two, but the main
thing which spilled across
every room, hallway, lobby,
breakfast bar and so on was
the extremely friendly and
welcoming nature of the
whole conference. <\/p>\n
“The only other geek
con I’ve been to was
the SFX weekender, which
wasn’t
unfriendly <\/em>, but
I also can’t
remember half as much
mingling (or half as
many reasons to mingle)
as there were
here.”<\/p>\n
Stephen:<\/strong>
“I\u2019m not
a convention-goer.
The friendly
atmosphere and lack
of judging at Nine
Worlds was the kind
of pleasant, safe
space I\u2019d
assume any good con
would try for, but
from everything
I\u2019ve heard in
recent years this
one got it unusually
right. <\/p>\n
“I saw
tweets from people
saying that having
dedicated LGBTQ*
content made such
a difference to
their time there.
Even the Bronies
didn\u2019t seem
to get the usual
derision, mostly
because they were
just unrelentingly
happy and
frequently gave
you
cake.”<\/p>\n
Hannah:<\/strong>
The two
standout
workshops for
me,
personally,
were fantasy
novelist Tom
Pollock’s<\/strong><\/a>
creative
writing
workshop on
Making
Monsters
–
which
generated at
least one
idea
I’m
going to be
writing into
a short
story.
<\/p>\n
“Also,
Emma
Newman<\/strong><\/a>
ran a
workshop
on
‘Fear
and
Writing’
–
drawing
on her
own
experiences
as an
author<\/a>.
<\/p>\n
“Two
takeaway
things
for me
were
her
describing
procrastination
as a
fear-based
behaviour,
and
<\/a>Viktoriya:<\/strong>
“It
was
wonderful
to
have
so
many
different
tracks,
and
to
NOT
have
diversity
and
inclusiveness
be
shunted
off
to
the
side
with,
“oh,
well,
we’re
covering
that
in X
track”
–
rather,
you
had
panels
on
inclusiveness
and
discrimination
across
all
the
different
tracks.<\/strong>
<\/p>\n
Hannah:<\/strong>
“And
since
it
wasn’t
‘here’s
the
gay
corner’
it
felt
much
more
open
to
(say)
the
B
and
the
T
and
the
Q
sections.
Which
–
as
a
bi
girl
–
I
found
very,
very
refreshing.”
<\/p>\n
Stephen:<\/strong>
“On
the
Friday
night
I
went
to
a
swordfighting
workshop
with
Miltos
Yerolemou,
the
actor
who
played
Syrio
Forel
in
Game
of
Thrones<\/strong>.
<\/p>\n
“It
was
a
lot<\/em>
of
fun,
and
at
least
two
thirds
of
the
attendees
were
women
(one
of
whom
was
you,
Viktoriya,
and
I
totally
clocked
your
expression
of
demonic
glee
when
you
got
to
swing
a
very
large
wooden
sword,
which
suggested
you
enjoyed
the
session!).”<\/p>\n
Viktoriya:<\/strong>
“I
loved
that
there
was
a
knitting
track,
and
a
My
Little
Pony<\/strong>
track,
and
a
board
games
track.
It
stressed
the
diversity
of
interests
that
are
brought
together
under
the
fandom
and
geek
umbrellas
in
a
way
that
cannot
be
present
in
any
single-show
or
single-theme
convention.
<\/p>\n
“The
fact
that
the
‘celebrity
guests’
were
actually
there
for
panels,
activities
and
workshops
primarily,
with
singing
autographs
very
much
a
secondary
activity,
was
even
better.
I
despair
of
the
autograph
factories
modern
conventions
have
become.
Queueing
for
eight
hours
is
not
my
idea
of
fun.”<\/p>\n
Viktoriya:<\/strong>
“Well,
OK,
let
me
argue
with
myself
for
a
little
bit.
I’m
going
to
nitpick
here,
not
out
of
anger
but
because
the
organisers
have
shown
a
genuine
interest
in
learning
from
their
mistakes
and
in
improving
the
experience
in
coming
years.<\/p>\n
“So,
accessibility.
I
don’t
know
what
the
experience
was
for
those
attendees
with
limited
mobility,
but
I
am
relatively
able-bodied
and
even
I
found
it
a
bit
cumbersome
navigating
the
stairs
in
two
hotels
with
only
the
few
lifts.
<\/p>\n
“Ultimately,
that\u2019s
what
I\u2019m
looking
for
in
a
convention:
committing
to
doing
better
next
time
when
mistakes
are
made.”<\/p><\/blockquote>\n
“Some
of
the
multimedia
was
a
little
difficult
to
engage
with
without
risking
pain
–
strobe
lighting,
very
loud
soundscape,
and
so
on.
<\/p>\n
“Bringing
in
a
general
warning
system
(a
sign
on
the
door?)
of
strobe
lighting
for
those
affected
by
it,
and
doing
a
soundcheck
before
launching
the
sound
and
leaving
it
at
whatever
level,
would
be
good.”<\/p>\n
Stephen:<\/strong>
“I
went
to
the
board
games
hotel
only
briefly,
and
there
were
lots
of
steep
stairs,
but
then
that’s
the
one
used
for
loads
of
much
bigger
cons,
so
I’m
sure
they
must
have
a
solution
in
place?”<\/p>\n
Viktoriya:<\/strong>
“Well,
big
cons
tend
to
have
a
like
it
or
lump
it
policy.
They
have
priority
queuing
for
fans
with
mobility
issues,
but
that’s
about
it
as
far
as
I’m
aware.
Individual
cons
may
have
a
better
provision,
but
I
don’t
know.”<\/p>\n
“Then
there’s
the
issue
of
diversity
in
organisers
and
session
leads.
Part
of
this
is
maybe
due
to
the
fact
that
it
was
the
first
Nine
Worlds,
but
the
organisers,
session
leads
and
attendees
were
overwhelmingly
white.
<\/p>\n
“Contrast
this
with
the
Racefail
101
panel<\/a>
in
the
Books
track,
which
brought
together
awesome
writers
of
colour
to
focus
on
writing
characters
of
colour,
and
seeking
out
writers
of
colour.<\/p>\n
“Given
the
number
of
tracks
and
the
number
of
organisers
required,
I’d
suggest
that
the
lead
organisers
work
on
diversifying
the
track
leads.”<\/p>\n
“With
accessibility,
big
cons
tend
to
have
a
like-it-or-lump-it
policy.
They
have
priority
queuing
for
fans
with
mobility
issues,
but
often
that\u2019s
about
it.”\n<\/p><\/blockquote>\n
“Finally,
I
disagree
with
Steve
on
the
inclusiveness
extended
to
the
Bronies,
mostly
because
in
the
sessions
I
was
present
at,
they
were
frequently
the
butt
of
the
joke.
<\/p>\n
“Fundamentally,
I
think
it’s
uncool
to
include
something
as
a
track
(and
therefore
give
implicit
approval
of
its
existence)
and
then
spend
the
weekend
being
a
bit
weirded
out
by
it.
I
don’t
claim
to
be
part
of
the
MLP
fandom,
but
I
thought
it
was
a
bit
harsh.”<\/p>\n
Stephen:<\/strong>
“I
didn’t
see
the
panels
where
Bronies
were
mocked,
but
I
did
see
a
lot
of
people
commenting
out
loud
that
this
was
their
first
experience
of
them
and
they
thought
Bronies
were
awesome.”<\/p>\n
Viktoriya:<\/strong>
“I
wonder
if
part
of
it
isn’t
a
reflexive
‘let’s
build
a
hierarchy’
instinct.
Certainly
there
was
that
feeling
at
times
at
the
fanfic
panels,
and
some
of
the
comments
re:
board
gaming
from
attendees.
The
Bronies
were
the
only
ones
where
I
heard
panellists
commenting
on
it,
though,
and
there
is
some
evidence
that
attendees
felt
a
bit
singled
out<\/a>.”<\/p>\n
“What
I
do
think
is
great
is
that
the
organisers
of
the
Problematic
Issues
panel
realised
what
had
gone
wrong,
and
have
publically
acknowledged
it<\/a>
and
committed
to
doing
better
next
time.<\/p>\n
“Ultimately,
that’s
what
I’m
looking
for
in
a
convention.
There
were
a
few
tweeted
mentions
of
positive
and
negative
feedback
(which,
to
their
credit,
the
Nine
Worlds
twitter
feed
retweeted).”<\/p>\n
Hannah:<\/strong>
“I
think
everyone
involved
understands
it
was
a
first
attempt
at
a
huge
thing
and
the
learning
curve
was,
and
will
continue
to
be,
pretty
damn
steep
\u2013
but
I
couldn\u2019t
be
prouder
to
be
a
part
of
it
or
more
excited
about
next
year.”<\/p>\n
Viktoriya:<\/strong>
“Since
there’s
a
year
until
the
next
Nine
Worlds
I
guess
I’ll
conclude
with
some
general
links
on
the
inclusion
and
harassment
issues
–
if
you’re
thinking
of
going
to
a
convention
and
are
concerned
about
safety,
or
if
you
have
been
harassed
at
a
convention
and
want
to
know
how
to
report
it,
have
a
look
at
these
resources:<\/p>\n
“Most
of
all,
I
loved
the
fact
that
I
enjoyed
Nine
Worlds
so
much,
I
have
already
decided
I’m
going
next
year.
No
uncertainty,
no
hmm-maybe
and
oh-yes-perhaps.
I’m
going
next
year
because
it
was
wonderful.
How
can
you
argue
with
that?”<\/p>\n
A more inclusive con?<\/h2>\n
Safe space?<\/h2>\n
Running a content track<\/h2>\n
Fandom and atmosphere<\/h2>\n
Faves?<\/h2>\n
\nthat
perfectionism
is
fear’s
favourite
coat.
Emma
–
thank
you.
That
stuff
really
spoke
to me.
Like,
more
than
my
shrink
does.”<\/p>\n
Could-do-betters?<\/h2>\n
Let’s
wrap
this
up…<\/h2>\n
\n