{"id":13151,"date":"2013-02-19T08:00:43","date_gmt":"2013-02-19T08:00:43","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=13151"},"modified":"2013-02-19T10:16:14","modified_gmt":"2013-02-19T10:16:14","slug":"guest-post-women-in-horror-month-women-killing-zombies","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2013\/02\/19\/guest-post-women-in-horror-month-women-killing-zombies\/","title":{"rendered":"[Guest Post] Women In Horror Month: Women Killing Zombies"},"content":{"rendered":"
I love zombie movies. I run a blog about them<\/a>, I just helped run an event at the Science Museum about them, and I once sent BadRep writer Hannah Chutzpah to get arrested<\/a> just so I could write about a zombie flash mob<\/a>.<\/p>\n
It\u2019s an argument that essentially misses the point of how both people and stories work – we don\u2019t tell a story and then move onto the next one, we tell the same story over and over, from every possible angle, trying to tease out something new or rediscovered each time. One of the reasons I love zombie movies is they\u2019re full of opportunities for that.<\/p>\n
But that said, there is one zombie story that I have yet to see told anywhere (and if it has, and I missed it, please tell me. I wanna see). Particularly, it involves a group of people that zombie movies have led me to believe could make up as much as a third of the global population – women.<\/p>\n
Zombie movies have, on the whole, managed to avoid most of the standard horror movie tropes when it comes to women. The amount of alcohol and sex a woman enjoys doesn\u2019t usually directly correlate with their survival chances. Chase scenes rarely take place while female zombie fighters are in their underwear.<\/p>\n
<\/a>Yes, the first proper zombie movie,
1968’s
Night of the Living Dead<\/strong> did star a woman (Judith
O’Dea, right) who switched between being hysterical or
catatonic, and another who gladly let herself get stabbed to death
by her own daughter, because that\u2019s what good mothers do.
There was another woman in that film as well, but nobody ever
remembers either her or her boyfriend, so we can safely ignore
them. However, after that initial outing George Romero actually
seemed to learn, and the way women in zombie movies are portrayed
generally has improved as a result.<\/p>\n
By 1978, and
Dawn of the Dead,<\/strong> the main female character (Gaylen
Ross’s Francine) may have found herself in the role of
\u201chouse mom\u201d, and not just because she was pregnant.
But she fought against that role, insisting that the others
teach her how to fire a gun and fly the escape helicopter,
skills which led to her being the movie\u2019s only
survivor.<\/p>\n
Day of the Dead<\/strong> (1985) had only one female
character, but Sarah (Lori Cardille) was also very much
the brains of the film, a badass, level headed under
pressure, and again, one of the three characters to make
it through the film.<\/p>\n
When
Night of the Living Dead<\/strong> was remade by
Romero in 1990, Barbra, our alternately
catatonic\/screaming heroine from the first film, was
now – played by Patricia Tallman – also a
badass who knew her way around a firearm.<\/p>\n
<\/a>This is a pattern
that\u2019s replicated across the genre. You can see
it in Selena in
28 Days Later<\/strong> (and yes, that is a
proper zombie movie), in Ana, the lead protagonist
in the
Dawn of the Dead<\/strong> remake, in Wichita
and Little Rock in
Zombieland<\/strong> (Emma Stone and Abigail
Breslin, right), and in Kelly, the lead
protagonist in Charlie Brooker\u2019s
Dead Set<\/strong>. Even in
Shaun of the Dead<\/strong>, Shaun\u2019s
girlfriend Liz (Kate Ashfield) is the
level-headed straight woman to the comedy
antics of the rest of the cast.<\/p>\n
And now we\u2019re getting to the nub of
the matter. Liz is the straight
woman.<\/p>\n
You see, zombie movies come in many
different flavours. They can be war
movies, economic parables, satire, or an
examination of the violence inherent in
human nature. They can even, with their
\u201cbunch of people locked in a
building together\u201d format, be a
sitcom. But in most cases, one thing you
see a lot of in zombie movies is wish
fulfilment.<\/p>\n
It\u2019s the reason why so many
perfectly sensible, realistic people
have more detailed plans for a zombie
apocalypse than they do for a fire
breaking out in their home. There\u2019s
an appeal in the idea that real life,
with its bills, jobs, relationships and
traffic jams, might one day give way to
the sort of massive catastrophe that
would finally reveal the inner badass
you\u2019ve been all along.<\/p>\n
Zombie movies are filled with guys who
lead boring or screwed up lives before
the outbreak hits, only to rise to the
occasion and become the hero. Shaun is
stuck in a go-nowhere job and has just
been dumped by his girlfriend when the
zombies turn up.
Zombieland<\/strong>\u2019s Columbus
is a phobic shut-in who plays endless
World of Warcraft<\/strong> and has
\u201cperfectly justifiable to
speculate on\u201d virginity.
28 Days Later<\/strong>\u2019s
Jim is a bicycle courier who goes
from being a liability at the
start of the film to
single-handedly taking down a
house full of armed, trained
soldiers by the climax. Even Ash
Williams, famed zombie killer
extraordinaire (despite the
Evil Dead<\/strong> films,
I\u2019m sorry, not counting as
proper zombie films. I
don\u2019t make the rules)
started out as a shop
clerk.<\/p>\n
But it\u2019s always the guy.
The guy is allowed to start
out hopeless and go through
the learning curve required to
reach the point where
he\u2019s massacring zombies
with a lawnmower (Braindead<\/strong>,
incidentally, is another
example of this trope).
Female characters in zombie
movies nearly always start
out with their badass
qualifications already in
place. Only guys get to use
the zombie apocalypse to
escape how little they can
cope with day-to-day
life.<\/p>\n
And it\u2019s not because
this is an exclusively a
male fantasy, not by a
long shot. If you doubt
me, do a quick search for
\u201czombie
survival\u201d among the
women of OKCupid. Talk to
Mary Hamilton, one of the
brains behind Zombie
LARP<\/a>, or Naomi
Alderman of Zombies,
Run!<\/a>. Talk to my own
sister, who has an
imaginative, if fatally
flawed zombie survival
plan that involves
stealing a train. Even
with my fairly limited
social media following, I
was able to find five
women with zombie survival
plans in the space of an
hour (and one of them had
three plans, depending on
her circumstances).<\/p>\n
So, going back to the
beginning, this is the new
zombie film I want to see.
Show us a zombie film with
a hapless female
protagonist caught in a
shitty dead end job with
mounting bills and a
disaster of a love life.
Then, over the course of
the film, have her
discover she has a knack
for clean decapitations
and barricade
building.<\/p>\n
It\u2019s not particularly
groundbreaking, but I
can\u2019t find that film
out there, and I\u2019ve
looked hard. If you make
this film, I\u2019m
telling you, there\u2019s
a huge readymade audience
for it.<\/p>\n
\n