Limited Edition! Specially designed and
crafted! Completely and utterly terrible!<\/p><\/div>\n
… make a striking conversation piece on any discerning
zombie gamer\u2019s mantel.<\/p><\/blockquote>\n
Well, as someone who has notched up damn near 1,000 hours of
zombie killing in recent years (thanks, Steam, for keeping track
of that. I was starting to worry that I was wasting my life),
let’s
have<\/em> a conversation about it. I’ll go and brew up a
steaming cup of Sityourassdown while you perch on the naughty
stool and think about what you’ve done.<\/p>\n
I can hear it already, the rumbling of defensive PR managers
approaching.<\/p>\n
\u201cBut it’s a zombie game! The whole point of it is
to commit heinous acts of violence against the undead in self
defence! A zombie torso with its limbs severed is a trophy
that represents your prowess!\u201d<\/p>\n
Before I address this, in the interests of full disclosure, I
have to say that I am not a qualified physician. However, from
my forays into the study of human and zombie biology, I can
confirm that the healthy, warm-tanned skintone, obvious
freshness of the blood, the lack of any sort of necrosis or
decomposition of the flesh indicates that this torso was
certainly not a zombie at the time of her
dismemberment.<\/p>\n
Exposure of the lower ribs suggest traumatic chest injury;
however, it’s not clear whether this occurred before or
after the time of death. My working hypothesis is that her
death had something to do with either decapitation or the loss
of all her blood. Even without formal medical training, I am
fairly confident in positing that there is no coming back from
complete removal of the head.<\/p>\n
There isn’t even any artistic merit in what you’ve
created, which is almost as offensive as the glorification of
horrific violence against women. You have the gumption to
describe it as:<\/p>\n
…Dead Island\u2019s grotesque take on an iconic Roman
marble torso sculpture.<\/p><\/blockquote>\n
No. Stop. Please. The skies are filled with the anguished
cries of Classics and Art History students, joined by the
despairing sobs of everybody with a functioning pair of
eyes. There are several salient differences between your
abomination and classical works of art, but I’ll set
out a few of these for your convenience:<\/p>\n
\n
-
Artistic merit. Marble sculptures are exquisite works by
highly-skilled craftspeople demonstrating the depth of
their abilities. Weeks of work go into a marble sculpture,
creating something dynamic and evocative from a chunk of
something cold and unyielding drawn from the earth. These
are not pieces that can be \u201cdesigned\u201d in an
afternoon by a gaggle of fratboy marketers over their
weekly office keg.<\/li>\n
-
Anatomy. Sculptors who work with marble show an intimate
and thorough knowledge and understanding of human anatomy.
Every muscle, every curve, every millimetre of skin is
honed to a perfect representation of the human form. What
you have done is plonked two tennis balls on a solid block
of resin, doodled in a crude cleavage with a Sharpie, then
splashed raspberry sauce all over it and called it a day.
Which brings me neatly onto my next point…<\/li>\n
-
Overt sexualisation and glamourisation of violence against
women. Classical torso sculptures are not without limbs
due to some horrible run-in with a horde of undead and a
crazed survivor with a katana. If any Classics types would
like to weigh in on this, I’d be interested to
learn. However, I’m pretty sure that the motivations
of those classical sculptors was not \u201cHurr, violence
is EPIC. You know what else is epic? TITS! Yeah! But you
know what’s
not<\/em> epic? Any part of a woman that isn’t
tits or crotch. Let’s put, yeah, some tits and a
crotch in a string bikini, and like, cut everything else
off. Gamers will eat that up. Oh man, I’m jizzing
my pants already. Tits and extreme violence. We’re
geniuses.\u201d (Again, classics students, if
there’s any evidence of the great Graeco-Roman
sculptors having had this discussion, I will withdraw
this point. Let me know.)<\/li>\n<\/ul>\n
In summary: what the hell? After the first
Dead Island<\/strong> game failed to quite live up
to its own teaser trailer, do you just feel like you
need to continue along this trajectory of
disappointment? Were you hoping to hit rock bottom
with today’s sick display in the hope that
thereafter, the only way would be up? If
that’s the case, I’d be tempted to
applaud your shamelessness, had it not been such a
swing and a miss.<\/p>\n
Now, I’m a feminist, but I also don’t
believe that every catastrophic misunderstanding
of how to exploit the \u201cdesirability\u201d of
anything that vaguely resembles a woman’s
body (usually one that conforms to narrow
standards of Western beauty) is born of true
misogyny.<\/p>\n
I believe it’s quite possible that you
\u201cjust didn’t think\u201d of the
implications and repercussions of showing a
violently dismembered female torso and selling it
as an ornament. For those of us – women and
some men – who actually live in bodies like
the one messily represented in your
collector’s edition, it isn’t possible
to \u201cjust not think\u201d about the
possibilities and the realities of
violence.<\/p>\n
Women are disproportionately more likely to be the
victims of domestic violence or sexual abuse, both
by people they know and by strangers. We are
taught from childhood that our bodies are weaker,
that if we don’t want to be attacked we have
to dress demurely, to know our limits, to keep our
mouths shut and to do as we’re told.<\/p>\n
We live in a victim-blaming world that constantly
promotes the idea that the only way to not be a
victim is to not provoke those strong and burly
menfolks, who cannot be held to account if they
attack you because you were obviously \u201casking
for it\u201d if and when it happens. Although this
line of reasoning was born of institutionalised
misogyny, it doesn’t exactly paint men in
the most flattering of lights either.<\/p>\n
The discussion is thankfully broadening, so this
is not an issue I’ll go deeper into here.
But Deep Silver, consider yourselves called out.
There’s a wealth of resources, information,
blogs, zines, articles, and opinion pieces out
there. You have no excuse for not educating
yourselves about why what you have done is
damaging and irresponsible.<\/p>\n
Everybody fucks up sometimes when it comes to the
way they think about or treat people less
privileged than they are. What really proves
whether or not they’re capable of meeting
the criteria for being a decent human being, or a
company with any integrity, is how they handle and
learn from their fuckups. My advice? Apologise. Be
humble. Be grateful to people who have called you
out on this. Make the choice to educate
yourselves. And for the love of all things zombie,
don’t do it again.<\/p>\n
I do, however, have one thing to be grateful to
you for about this. Should I find myself romancing
a fellow gamer in future, and we go back to their
house, this statuette will be an
immediate and unmistakable<\/em> red flag that
this person has questionable taste in games,
d\u00e9cor and attitudes towards women. This
information will be a clear indicator that this
isn’t somebody I should be spending time
with.<\/p>\n
Perhaps your statue could replace the endless
whining about \u201cthe friendzone\u201d as
the hallmark of somebody utterly clueless
about human relationships and endlessly
disrespectful to women. Then I would laud you
for your achievement, because that shit is
getting very, very tiresome.<\/p>\n
Yours sincerely,<\/p>\n
Mia Vee<\/p>\n