{"id":13082,"date":"2013-01-31T21:43:40","date_gmt":"2013-01-31T21:43:40","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=13082"},"modified":"2013-02-01T13:13:05","modified_gmt":"2013-02-01T13:13:05","slug":"guest-post-author-maura-mchugh-recommends-more-women-in-horror-for-2013","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2013\/01\/31\/guest-post-author-maura-mchugh-recommends-more-women-in-horror-for-2013\/","title":{"rendered":"[Guest Post] Author Maura McHugh Recommends More Women In Horror for 2013"},"content":{"rendered":"
<\/a><\/p>\n
In February 2010, Hannah Forman (under the pen name Hannah Neurotica)
began Women in Horror Recognition Month<\/strong><\/a> as a way to
celebrate women’s contribution to the horror industry.<\/p>\n
She began the campaign out of frustration at the lack of coverage
of women working in horror media, and received a terrific response
to the initiative. People used social media and blogging platforms
to discuss their favourite women creators throughout the month of
February, and aided the conversation about horror and
women’s participation in it. It’s a fine example of
how online communities can be harnessed to a positive effect.
It’s become an annual event since then.<\/p>\n
In the past four years there’s been a discernable increase
of attention given to women’s contributions across the
creative spectrum. This has not been given freely. It’s come
about because women and men have asked to see a more equal
representation of work by creators they enjoy. It’s because
of campaigns liked Women in Horror Recognition Month that some
media sources have finally noticed there
are<\/em> women in the industry, and that many of them have
been around for a long time.<\/p>\n
Hopefully there will come a time when such an initiative is
redundant, but since the Vida
statistics<\/a> on the participation and coverage of
women’s work in many media sources remains low, that
time is not upon us yet.<\/p>\n
Two years ago, Bad Reputation asked me to write an article
called Women in Horror: Five Recommended Writers<\/strong><\/a>,
and this year I’m singling out the work of women who
create across horror media.<\/p>\n
<\/a>Livia Llwellyn<\/a> was born in
Anchorage, Alaska, and raised in Tacoma, before moving
to live on the East Coast. She’s been making a
reputation for herself in horror circles since her
stories began to be published, from 2005 onwards. Her
work has been printed and reprinted in many prestigious
anthologies.<\/p>\n
She writes difficult, fascinating characters coping with
disturbing situations. Some of her stories are
unashamedly erotic in a way that honestly reflects the
terrible fixations of desire.<\/p>\n
Her first short story collection,
Engines of Desire: Tales of Love & Other
Horrors<\/strong>, was published by Lethe
Press<\/a> in 2011 and contains ten of her stories. It
received rave reviews, and was nominated for a Shirley
Jackson Award for Best Collection. It announced the
arrival of an original talent, and one fans of horror
fiction should watch.<\/p>\n
Jen & Slyvia Soska<\/a> are
Canadian identical twins, long fans of horror, and
have trained in martial arts and stunt work. Their
first short film was a trailer for a movie, Dead Hooker in a Trunk<\/strong><\/a>, which
they then made as their d\u00e9but film. They
wrote, produced, directed, and acted in the
movie, and it gained a lot of attention on the
horror film festival circuit.<\/p>\n
<\/a>They
created their own production company, Twisted Twins
Productions<\/a>, and made other short films,
such as
The Hornet<\/strong>,
Together We’re Heavy<\/strong>, and
Bad Girls<\/strong>.<\/p>\n
It was last year’s movie, American Mary<\/strong><\/a>, which
showed the development of the
sisters’ work. Once again they
wrote, directed, and appeared in it.
It stars Katharine Isabelle (Ginger Snaps<\/strong>) as Mary
Mason, a broke medical student who
changes her career after a
traumatic experience, and puts her
knowledge of physiology to use by
doing extreme body
modifications.<\/p>\n
The film won five awards at
Screamfest last year, including
Best Picture and Best
Director.<\/p>\n
Over the years they’ve
demonstrated determination,
creative progression, and
ambition, and I’m looking
forward to what they will do
next.<\/p>\n
Hannah
Berry<\/a> began drawing from
a young age, inspired by
comics like
Calvin and Hobbs<\/strong>,
and French
bande
dessin\u00e9e<\/em>. She
completed a Degree in
Illustration at the
University of Brighton,
and during that time began
work on her first graphic
novel, Britten and
Br\u00fclightly<\/strong><\/a>.<\/p>\n
The French edition was
chosen for the
Official Selection of
the prestigious
Angoul\u00eame
International Comics
Festival in France in
2010. While not
overtly a horror
story, the dark, noir
atmosphere is resonant
with supernatural
mystery tales.<\/p>\n
She was the Booktrust
Writer in Residence in
2012, and has been an
instructor on the
Arvon
Foundation\u2019s
Graphic Novel Writing
course several
times.<\/p>\n
Her latest graphic
novel is Adamtine<\/strong><\/a>,
an eerie story about
a late night train
journey that stalls
and brings its
passengers on an
altogether
unexpected journey.
Its atmospheric art
and complicated
narrative prove that
Hannah has the chops
for slow-burn
supernatural
stories.<\/p>\n
A free preview of
Adamtine<\/strong>
can be downloaded
from her
website<\/a>.<\/p>\n
<\/a>
She
went
back
to
Edinburgh
Festival
in
2005
with
her
own
Kate-Bush
inspired
prog-rock
spoof,
Moonjourney<\/strong>,
co-wrote
and
starred
in
Channel
4’s
Orcadia<\/strong>,
and
was
part
of
E4’s
sketch
show
Beehive<\/strong>.<\/p>\n
In
2010
she
and
director
Jacqueline
Wright
set
up
Jackal
Films
to
challenge
themselves
to
create
a
short
film
every
month,
which
they
did<\/a>.
She
also
created
Alice’s
Wunderland<\/strong><\/a>,
a
Alice’s
work
focuses
on
comedy,
but
there
are
often
dark
veins
of
horror
threaded
throughout
her
material.
A
case
in
point
is
the
film
Sightseers<\/strong>,
which
was
released
in
November
2012.
She
co-wrote
it
with
Steve
Oram,
with
some
material
by
Amy
Jump,
and
co-stars
in
the
film
with
Oram.
The
film
is
a
black
comedy
about
a
couple
who
go
on
holiday
in
a
caravan
and
get
up
to
a
bit
of
murder
along
the
way.<\/p>\n
If
you’re
not
familiar
with
these
women’s
work,
I
encourage
you
to
seek
it
out.
I
should
note
that
this
is
a
personal
pick:
there
are
many
other
talented
women
horror
creators
out
there.<\/p>\n
1. Livia Llwellyn – Short Story Writer<\/h2>\n
2. Jen and Sylvia Soska – Screenwriters,
Directors, Actors, Producers<\/h2>\n
3. Hannah Berry – Comic
Book Writer and Artist<\/h2>\n
4. Alice Lowe
–
Screenwriter
and
Actor<\/h2>\n
\nAlice
Lowe<\/a>
attended
Cambridge,
and started
her career
co-devising
and
performing
in small
fringe
shows. She
appeared in
Garth
Marenghi’s
Fright
Knight<\/strong>
in 2000 at
the
Edinburgh
Festival.
The show
was
nominated
for the
Perrier
Award, and
Alice won
it the
following
year for
her
performance
in the
sequel,
Garth
Marenghi’s
Netherhead<\/strong>.
The show
was then
turned
into a
Channel
4
comedy,
Garth
Marenghi’s
Darkplace<\/strong><\/a>.
Alice
has
also
appeared
in
such
television
shows
as
The
Mighty
Boosh<\/strong>,
Little
Britain<\/strong>,
and
The
IT
Crowd<\/strong>.<\/p>\n
\ncomedy
sketch
show
for
BBC
Radio
4.<\/p>\n
\n