{"id":13059,"date":"2013-01-31T11:16:09","date_gmt":"2013-01-31T11:16:09","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=13059"},"modified":"2013-02-01T00:32:20","modified_gmt":"2013-02-01T00:32:20","slug":"guest-post-young-avengers-1-sex-and-the-female-gaze","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2013\/01\/31\/guest-post-young-avengers-1-sex-and-the-female-gaze\/","title":{"rendered":"[Guest Post] Young Avengers #1: Sex and the Female Gaze"},"content":{"rendered":"
Last week’s long-awaited, big-release comic was Kieron Gillen
and Jamie McKelvie’s
Young Avengers #1<\/strong>, a classic coming-of-age story about
a group of 18-year-olds who just happen to be superheroes.<\/p>\n
While many mainstream comics are still producing the kind of
material that gets sent up on Escher Girls<\/a> and The Hawkeye Initiative<\/a>, Gillen and
McKelvie actively reject the kind of objectification that gives
the genre such a bad reputation amongst feminists. In contrast
to the stereotypical tits-and-ass fare, the opening sequence of
Young Avengers<\/strong> provides the reader with a
three-page essay on the (straight\/bi) female gaze. In a
medium that overwhelmingly caters for straight male desires,
this is a rare demonstration of how to do a sexy scene with
decent gender politics.<\/p>\n <\/a><\/p>\n
On page one, Kate Bishop wakes up in an unfamiliar bed,
having just hooked up with a man whose name she can’t
quite remember. At this point anyone who’s familiar
with comics, or popular culture in general, would expect to
see some slut-shaming, or at least some titillating
semi-nudity, but we get neither. Kate is dressed in a
t-shirt which comes down to her mid-thigh, and it’s
clear that she has no regrets, thinking:
For a second, some part of me thinks, \u201cI should be
ashamed.\u201d I think that part of me is really stupid.
<\/em><\/p>\n
In the fourth panel we even see Kate smiling as she
thinks back to the earlier part of her evening, and
it’s the smile of someone who has just got laid
and is pretty damned pleased with herself.
We’ve long had a problem in comics where the
women are “sexy” (in a sexist fashion) and
the men aren’t. Time to redress the balance. And
there’s a big difference between sexist and
sexy.<\/p><\/blockquote>\n
Although male superheroes are usually drawn with
extremely muscular physiques, it’s not normally
sexualised in this way \u2013 the reader is supposed
to want to
be<\/em> them, not have sex with them. This is a
rare acknowledgement that people who fancy men read
superhero comics too.<\/p>\n
But rather than providing equality of
objectification, the aim here is to have a sexy
scene which enhances the story and doesn’t
devalue either of the characters. If you’re
enjoying the view of Noh-Varr in his underwear,
it’s just a bonus, not the entire point of
the sequence; if you’re not into it, his
lack of clothes is incidental. As Gillen puts it
in an introduction to the character
of Noh-Varr<\/a> on his Tumblr:<\/p>\n
…characters being sexy is cool but
objectification in the process is bullshit. An
inability to see the difference is a fundamental
weakness. My wife\u2019s in the next room
watching Lord of the Rings, and I guarantee
she\u2019s thinking sexy thoughts about Aragorn.
But that works without anything which
annihilates him as a character,
y\u2019know?<\/p><\/blockquote>\n
The reader is supposed to see this scene through
Kate’s eyes, and as she watches Noh-Varr
dancing around in his pants, it acknowledges the
existence of the female gaze, both through
Kate’s interest in watching him, and the
fanservice<\/a> of the
artwork.<\/p>\n
Noh-Varr has a masculine appearance, but \u2013
perhaps because he’s an alien from another
dimension \u2013 he doesn’t appear to be
burdened with ideas of conventional masculinity,
as we can see from his music choices. The
comic’s title page states that the record
he puts on is ‘Be My Baby’ by the
Ronettes (incidentally, this is the track played
over the opening titles of the film
Dirty Dancing<\/strong>, which is also about
female
sexual awakening<\/a>), and he talks about his
enthusiasm for \u201cclose harmony girl
groups\u201d in a way that a heterosexual
Earth man probably wouldn’t, because
he’d be afraid of seeming effeminate.
The play on gender roles is, of course,
entirely deliberate, as one of the major
influences in this version of the character is
David Bowie during his androgynous,
bisexual-identifying period in the early
1970s.<\/p>\n <\/a><\/p>\n
As Kate watches Noh-Varr, the scene is
interrupted by a Skrull attack (Skrulls are
a species of warrior aliens that
occasionally pop up in the Marvel Universe
to attack either Earth or Noh-Varr’s
species of warrior aliens). If this was a
horror movie, this would be the moment where
Kate’s decision to go back to
Noh-Varr’s place for sexytimes gets
her killed in a disgustingly graphic way,
but rather than being punished for her
naughty behaviour, Kate is rewarded with
another adventure, when she pilots the space
ship.<\/p>\n
As well as understanding what many female
fans want to see, Gillen also accepts that
sometimes our appreciation goes beyond
what’s on the page:<\/p>\n
Ever since our work on Phonogram<\/strong><\/a>, Jamie have
[sic] strove to make our comics \u2013
for want of a better phrase \u2013 slash-fic<\/a>-able.
If you\u2019re working in certain heroic
fantasy genres, that\u2019s part of the
emotional churn.<\/p>\n
(taken from Gillen’s tumblr post on
Noh-Varr<\/a>)<\/p><\/blockquote>\n
Recent comic book adaptation movies
like
Avengers Assemble<\/strong> and
X-Men:First Class<\/strong> have
been gleefully adopted by
fanfiction writers, who find that
the gender imbalances and close
friendships between male
characters give them plenty of
material to work with. While slash
has sometimes been treated as
fandom’s dirty secret,
Gillen and McKelvie are obviously
quite comfortable with it. The
title page even provides a nod to
fangirl culture by adopting their
language: editors Jake Thomas and
Lauren Sankovitch are credited
with \u201cLOLs\u201d and
\u201cfeels\u201d respectively
\u2013 that’s
\u201chumour\u201d and
\u201cemotions\u201d to anyone who
isn’t up-to-date on their
internet memes.<\/p>\n
Young Avengers<\/strong>
clearly demonstrates something
which I’ve long
suspected to be true: it
really is possible for male
writers to \u201cget\u201d
female fans. Although there
are female comics creators
producing work that
doesn’t make women
cringe \u2013 even with big
publishers like Marvel and DC
\u2013 it doesn’t mean
that their male colleagues
should have a free pass to be
obnoxiously sexist. We should
be holding more men to the
pro-feminist standard that
Gillen and McKelvie have set,
not just in comics, but in all
forms of pop culture.<\/p>\n
.<\/p>\n
\nThe
second page introduces us to Noh-Varr, whose bed Kate
has woken up in, and this is where we see another
convention subverted, because he’s the one in
nothing but his underwear. In an interview with Comics Alliance<\/a>, artist Jamie
McKelvie explains the idea behind this scene:<\/p>\n
\n
\n