{"id":13056,"date":"2013-03-08T09:35:49","date_gmt":"2013-03-08T09:35:49","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=13056"},"modified":"2013-03-08T10:45:59","modified_gmt":"2013-03-08T10:45:59","slug":"majority-world-riot-grrrl","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2013\/03\/08\/majority-world-riot-grrrl\/","title":{"rendered":"Majority World Riot Grrrl"},"content":{"rendered":"
Inspired by those plucky Pussy Riot gals and their ‘being sent to a penal colony for a peaceful protest’ hi-jinks in Russia last year, I set out to find tracks from riot grrrl bands around the world. And just to shift the focus for once, I’ve ignored the US, Canada, Australia, Japan, Europe and other super wealthy places.<\/p>\n
‘Are there grrrls in the majority world?’ I wondered. The answer
is yes, and they rock. In fact I’ve made a Majority World Riot Grrrl playlist<\/strong><\/a> which can be found for
your delectation. Big shout out to Riot Grrrl Berlin<\/a> and their fantastic compilations,
on which lots of these bands feature.<\/p>\n
The first band I found was an anarchafeminist outfit from Nepal called
Tank Girl<\/strong><\/a>. Nepal has a deeply traditional patriarchal
society; marital rape was outlawed only in 2006 and still carries just
a six month sentence. Rape survivors are often ostracised, having
‘brought shame’ to their family and wider community. Dalit
(or ‘low-caste’) women face additional discrimination and
extremely high levels of violence.<\/p>\n
One of Tank Girl’s members, Sareena Rai, is involved in two
other feminist DIY punk bands, Rai Ko Ris<\/a> and Naya Faya<\/a>, and works to help Dalit women
to protect themselves from gender-based violence, delivering
self-defence training in her house. Which is pretty awesome.<\/p>\n
I found a few more Asia-Pacific riot grrrl bands, including the
adorable Fatal Posporos<\/strong><\/a> from the Philippines and Pretty Riot<\/strong><\/a> from Indonesia. As well as bands
Hellsister<\/strong><\/a> and Dance On Your Grave<\/strong><\/a>, the scene in Malaysia
was (and hopefully still is) large enough to support a
zine distro called Grrrl:Rebel<\/strong><\/a>. \u201cThrough zines, people
in the scene are much more exposed to stuffs that were
somewhat limited to them and the public before\u201d
founder Carol told GrrrlZines.net<\/a> in 2001. \u201cIn
countries like Malaysia and Singapore, you would get
arrested if you write any articles that can be
considered as threats to the government.\u201d<\/p>\n
It’s comments like that which I find so
remarkable, dropped into interviews about the role of
girls in the punk scene and the best local bands which
could kind of be about anywhere.<\/p>\n
While I couldn’t find any trace of a riot
grrrl scene in Africa, I did happen upon a 2011
documentary called Punk In Africa<\/strong><\/a> which sounds good.
And in the Middle East, grrrls are thin on the
ground, but judging from the cracking MidEastTunes<\/a> website there
are plenty of women active in dark metal and goth,
including Bahrain’s first all-girl metal
band Scarlet Tear<\/strong><\/a>.<\/p>\n
South America does seem to have a sizeable
riot grrrl base – my cursory search
turned up bands in Mexico, Venezuela, Chile,
Colombia and Argentina. Le Butcherettes<\/strong><\/a> from
Mexico are definitely worth a listen, and
I’d like to find more by a
Venezuelan skapunk outfit called 7 Potencias<\/strong><\/a> who have a
song called ‘Feminista de
Bolsillo’, which I’m led to
believe translates as ‘Pocket
Feminist’.<\/p>\n
The biggest scene seems to be in
Brazil, which boasts a huge list of
bands and artists, including Dominatrix<\/strong><\/a>, Siete Armas<\/strong><\/a> and Bertha Lutz<\/strong><\/a>,
with her irresistibly-titled
track ‘Feminism? Yes
Please!’.<\/p>\n
Bit of context: while Brazil
is the world’s sixth
largest economy, there is
still vast inequality. And
although it currently has a
female President for the first
time in Dilma Rouseff, women
make up just 8.6% of the seats
in Parliament. Abortion is
legal only to save a
woman’s life or in cases
of rape, and in 2010, it was
reported<\/a>
that 200,000 women a year are
hospitalized for complications
of illegal abortion.<\/p>\n
The reasons behind riot
grrrl’s popularity in
Brazil are even the subject of
an academic
paper by Calla Hummel<\/a>,
who recognises the political
significance and adaptability
of this particular bit of
shouty youth culture:<\/p>\n
Brazilian riot grrrl is one
of the sites where Western
cultural hegemony is being
called into question…
As it moves across borders,
riot grrrl becomes a form of
transnational feminism
\u2013 and grrrls must
address how ideas and
material originating in a
given locale may resonate,
change, or delegitimize
ideas and work in
another.<\/p><\/blockquote>\n
Gender inequality is a
global problem which varies
in its expression across
different cultural contexts.
It’s not an
‘over there’
issue, but in some places
it’s more severe than
in others. Similarly, riot
grrrl anywhere is awesome,
but the courage and
kickassness of the grrrls in
these bands is pretty
inspiring.<\/p>\n
As a band member called
Isabella quoted by Hummel
says:<\/p>\n
As long as we keep getting
letters from the middle of
the jungle, from a tiny,
three person town in the
Amazon, from some girl
saying, ‘Feminism
saved my life, thank
you,’ we will keep
doing
it.<\/p><\/blockquote>\n
<\/a>Nepal<\/h2>\n
Philippines, Indonesia, Malaysia<\/h2>\n
Africa and the Middle East<\/h2>\n
Mexico, Venezuela and Brazil<\/h2>\n
\n