{"id":12604,"date":"2012-10-30T09:46:34","date_gmt":"2012-10-30T09:46:34","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=12604"},"modified":"2012-10-30T09:49:49","modified_gmt":"2012-10-30T09:49:49","slug":"musical-chairs-it-hurts-me-too","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2012\/10\/30\/musical-chairs-it-hurts-me-too\/","title":{"rendered":"Musical Chairs: “It Hurts Me Too”"},"content":{"rendered":"
Previous Musical Chair:
Super Sexy Woman<\/strong> by Sufjan Stevens, picked by
Hodge<\/em><\/a><\/p>\n
This song was brought into my life a few years ago by my Mum, a reliable
source of excellent music. It’s a blues standard, but my preferred
version is Elmore James’ 1962 recording, with his incredible voice
and slide guitar.<\/p>\n
While
It Hurts Me Too<\/strong> is superficially about a man’s love
for a woman who loves another (highly unpleasant) man, to me it could
as easily be about platonic love as romantic love. I’m bringing
my own experiences to bear of course, but to me it sits on the same
shelf as Strawberry Switchblade’s Let Her Go<\/strong><\/a> or the Dresden Dolls’ Delilah<\/strong><\/a>. It’s about watching from the
sidelines, furious and helpless as someone you care about gets
hurt, over and over again. For me it is inescapably about
abuse.<\/p>\n
While the song is old and has been re-interpreted time and
again, when Elmore James recorded his version he made some
lyrical changes to the hit version recorded by Tampa
Red<\/a> in 1949. Comparing the two there’s a subtle shift
from a reasonably upbeat song imploring an object of desire to
leave a cheating no-gooder, to a heartbreaking lament for the
trap in which a loved one has been snared.<\/p>\n
For example, Tampa Red<\/a> sings:<\/p>\n
That man you love, darlin’ And James sings:<\/p>\n
He love another woman, yes, I love you,
What I like best about it is that unlike many other blues
standards (and plenty of mainstream pop songs – see
Jimi Hendrix’s Hey Joe<\/strong><\/a>, The Beatles’ Run For Your Life<\/strong><\/a>, Tom Jones’ Delilah<\/strong><\/a>),
It Hurts Me Too<\/strong> is a song about empathy,
not jealousy. The singer claims no ownership over
the woman, it’s her suffering that pains him,
not the fact he can’t have her. For me, it
works as an antidote to the musical tradition of the
jealous murder of women by men. I believe it’s
a song about love in the truest, broadest sense:
what you feel, I feel.<\/p>\n
<\/p>\n
It Hurts Me Too<\/strong> \u00a0by Elmore
James<\/p>\n
You said you was hurtin’, you almost
lost your mind.
You’ll love him more when you should
love him less.
He love another woman, yes, I love you,
Now, he better leave you or you better put
him down.
\nHe don’t want
you ’round
\nWhyn’t ya make love with
Tampa, darling?
\nAnd let’s jump the town
\nWhen things go wrong, so wrong, with you
\nIt hurts
me, too<\/p><\/blockquote>\n
\nBut, you
love him and stick to him like glue.
\nWhen things go
wrong, oh, wrong with you
\nIt hurts me
too.<\/p><\/blockquote>\n
\nNow, the man you
love, he hurt you all the time.
\nBut, when things go wrong, oh, wrong
with you, It hurts me too.<\/p>\n
\nWhy lick up behind
him and take his mess?
\nBut, when
things go wrong, whoa, wrong with you, It
hurts me too.<\/p>\n
\nBut, you love him and stick to him
like glue.
\nWhen things go wrong,
oh, wrong with you, It hurts me
too.<\/p>\n
\nNo, I won’t stand
to see you pushed around.
\nBut,
when things go wrong, oh, wrong with you,
It hurts me too.<\/em><\/p>\n