{"id":12286,"date":"2012-09-14T23:37:49","date_gmt":"2012-09-14T22:37:49","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=12286"},"modified":"2012-09-18T09:02:11","modified_gmt":"2012-09-18T08:02:11","slug":"musical-chairs-exterminating-angel-by-the-creatures","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2012\/09\/14\/musical-chairs-exterminating-angel-by-the-creatures\/","title":{"rendered":"Musical Chairs: “Exterminating Angel” by the Creatures"},"content":{"rendered":"
We recently, as a team, signed “BadrepUK”
up to
This Is My Jam<\/strong><\/a>. This got me thinking about the songs I might
submit to the Grand Communal
It’s a Creatures single from ’99. It’s an acquired
taste. But I like it, for a few reasons.<\/p>\n
Exterminating Angel<\/strong> was released on a late Creatures album,
Anima Animus<\/strong>, in 1999, and was still a dancefloor mainstay
in the early-to-mid-’00s in the kind of sticky-floored goth
clubs I liked to frequent in my late teens and early 20s.<\/p>\n
It’s a weird track in the context of the rest of the album,
nearly all of which is gentler, and none of which has the same
relentless, malicious, jagged electro edge. It’s the track you
remember the most, with its Biblical, apocalyptic theme and pounding
percussion. The rest of the album’s tracks kind of have to be
coaxed out from a musical cupboard-under-the-stairs where
they’ve hidden from its sweeping bite. After picking up the CD
– the day after it and I collided on one of the aforementioned
sticky goth dancefloors – I spent some months hitting the
repeat button on
Exterminating Angel<\/strong>, disappointed that it wasn’t
all like this.<\/p>\n
Why I’m submitting it to BadRep’s Jam in particular,
though, is this: it is entirely from the point of view of the
Old Testament’s Angel of Death, on a mission to kill the
sons of Egypt, as per the Bible story. But it’s not just
about that. Maybe it’s just Siouxsie’s delivery, or
the fact that the lyrics are both about a story where only the
sons of privilege count, and disdainful to the back teeth of
that fact (“poor little rich thing”) – but I
think the angel is very much coded as a vengeful female voice,
enacting all the grisly, monstrous, destructive urges that are
enshrined as natural in so many men and rarely if at all in
women. “For the hell of it,” in fact. (VH1 asked
Siouxsie not to perform it because it contains references to
menstrual blood. Oh, and piss.)<\/p>\n
It’s one of the Unwritten Rules of Siouxsie Sioux that on
lyrical face value, one is often only ever half sure what
she’s actually on about1<\/a><\/sup>, but I think
Exterminating Angel<\/strong> is a uniquely beautiful and
ugly track. It resonates with me on a deeper level than the
Banshees’ single Cities In Dust<\/strong><\/a>, which is about the
destruction of Pompeii and is similarly Big, Ancient and
World-Ending in scope.<\/p>\n
I Googled “angel of death female” to compare
gendered representations of the angel in the story.
Wikipedia popped up first, and helpfully listed several
countries<\/a> where folklore representations of Death
more generally are female (death is a “she”,
for example, in the folklore of some Slavic
communities). But most of the results on my first page
weren’t about the Bible story, or the angel
figure, at all.<\/p>\n
Instead, they were mainly about other things we apply
the phrase “angel of death” to in a
female-gendered way. Female serial killers abounded,
along with headlines about women in the nursing
profession (so often referred to in things like Marie
Curie Cancer Care literature as “angels”)
who ill-treated their charges. A few “sexy nurse
– evil angel of death version with black
dress!” fancy dress costumes completed the
picture.<\/p>\n
There was nothing particularly mythic or powerful about
the way any of these women were framed by the
“angel of death” phrase, though some were
dangerous. And although the gender of mythic death
personifications does vary worldwide, the overall tone
of my research online about female iterations of this
particular mythic and Biblical figure, taken as a whole,
was often merely patronising. To get to anything useful,
one needed a pair of Sexism Waders.<\/p>\n
I think that says it all, really, about why this song
mattered to me when I heard it. Female violence is so
often either downplayed or fetishised – witness
how long it took women to get to box at Olympic level
– where in men it is normalised (at least as a
cultural idea if not a legal reality). And
Siouxsie’s angel is a sort of horrible challenge
to that idea. There’s precisely nothing nice about
her whatsoever. Hers is a grand cry of “Piss on
it, I’m sick of it” – and although
I’m generally a friendly sort who’s about as
murderous as a bag of Haribo Starmix, I have a great
many days when, re: the patriarchy at least, I can
certainly<\/em> get behind that sentiment.<\/p>\n
Cacophony<\/del> Mixtape. Given our
name, we kicked off with Joan Jett (of course), but I think the next thing
I’m going to send our Rhian (who is curating the Jams at the moment)
is actually this.<\/p>\n