{"id":11956,"date":"2012-08-22T06:40:59","date_gmt":"2012-08-22T05:40:59","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=11956"},"modified":"2012-08-22T12:04:33","modified_gmt":"2012-08-22T11:04:33","slug":"guest-post-five-women-of-comedy-invited-to-my-ultimate-dinner-party","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2012\/08\/22\/guest-post-five-women-of-comedy-invited-to-my-ultimate-dinner-party\/","title":{"rendered":"[Guest Post] Five Women of Comedy Invited To My Ultimate Dinner Party"},"content":{"rendered":"

Here’s a guest post from For Books’ Sake<\/a>‘s Gina Kershaw<\/strong> who sent us her fantasy dinner table of five funny women. If you have a guest post brewing in your brain, you know what to do: pitch us at badrepeditors@gmail.com<\/a>.<\/em><\/p>\n

\"\"<\/a>Y\u2019know how some people claim music makes their world go around\/ they couldn\u2019t survive without music\/etc etc? Well, I\u2019m like that with comedy, especially comedy by women, especially comedy by women that knocks the tired, old stereotype that \u201cwomen just aren\u2019t funny\u201d straight out of the patriarchal pool of life.<\/p>\n

Well, I\u2019ve got my chicken sizzling in the oven, I\u2019ve applied the final fudge flourish to the chocolate cake, and the 70\u2019s throw back prawn cocktail is ready and waiting on the table. All I need now is a prime comedy guestlist of my favourite funny women to turn this evening into my ultimate fantasy night…<\/p>\n

Jennifer Saunders<\/strong><\/p>\n

I try and live my life without putting a load of over-glorified idolisation on any one person (or thing) – but my rule just seems to break whenever I come across Jennifer Saunders. Since my table is limited, I had to choose between French and Saunders, but Jen made the cut for a few reasons.<\/p>\n

\"\"<\/a>I can\u2019t talk about Saunders without talking about Absolutely Fabulous<\/strong>. Beyond the fact that it\u2019s just genuinely funny, I think there are several important messages to be found in the programme. Joanna Lumley stated in an interview for French television that she accepted the role of Patsy because she had finally been offered a role where she didn\u2019t have to be the soulless goody two shoes. Saunders has created characters that reflect real life – albeit a twisted form of it – much more closely than many other roles created for women. Because she has a \u2018posh\u2019 accent, Lumley is often cast in roles that reflect the character society wishes her to have, but in AbFab<\/strong> she fits perfectly as botoxed, pilled up, fashion obsessed Patsy, far better than anyone could imagine. At a human level, Saunders reminds her audience not to judge a book by its clipped accent or laughter lines; it\u2019s a reversal of the stereotypes that just won\u2019t go away \u2013 oh you\u2019re old, so you can\u2019t enjoy a drink, oh you\u2019re a mother so you can\u2019t have a personality away from the child. Then there\u2019s the whole exposure of the fashion scene as the temperamental, judgemental, fat-shaming sham of an industry that it is.<\/p>\n

She was amazing on Bad News<\/strong><\/a> and More Bad News<\/strong>, the music spoof by the people behind The Young Ones<\/strong>, in which she played a punk journalist that I ignorantly hoped to replicate \u201cwhen I\u2019m all grown up\u201d (and still kinda secretly do). She\u2019s written<\/a> a Spice Girls musical which, as a 90s child, I couldn\u2019t be happier about, and of course, I can\u2019t round off this section without mentioning her stint as the fairy godmother on Shrek 2<\/strong> and her a-maz-ing<\/em> cover of Holding Out For A Hero<\/strong><\/a>.<\/p>\n

Tina Fey<\/h3>\n

\"\"<\/a>Tina Fey changed the face of high school comedy with Mean Girls<\/strong>. High school-based comedy was always full of what I\u2019d call \u2018lad-laugh\u2019 humour; the hunt for beer, the quest for tits, the montage of vomit. Very little high school comedy ever actually showed anything within the actual school, until Mean Girls<\/strong>. Adapting material from the sociological study-fuelled Queen-Bees and Wannabes<\/strong><\/a>, Fey produced a film that wasn\u2019t only funny, but provided an actual critique of many people\u2019s experiences and perceptions of high school. An unflinchingly look at bitching, cliques and passive aggressive bullying that can relentlessly curse students on a daily basis, the film provided insight for those that had already left school, and a beam of hope for those currently in school. Plus it made a legend of Glen Coco and gave me one of my all time favourite lines involving wide set vaginas and heavy flows.<\/p>\n

Fey is an unashamed feminist, which I love, and she\u2019s effin’ hilarious about it. I have always maintained that you should use humour to show the bastards that they can\u2019t get you down, and Fey mixes important feminist messages without ever sounding preachy or obtuse. Bossypants<\/strong><\/a> is an amazing autobiography where she talks not just about her infinitely interesting life but discusses truly interesting topics. The Time I Was a Bit Skinny<\/em> and The Time I Was a Bit Fat<\/em> are two short chapters that discuss body image; her responses to anonymous online commentators are hilarious and powerful; and her discussion of Photoshopped images of women is refreshing, honest, and completely different from anything you\u2019ll find elsewhere on the subject.<\/p>\n

Sophie Kinsella<\/h3>\n

\"\"<\/a>You might not necessarily associate Kinsella straight away as a woman of comedy since she’s best known as a chick-lit author. On For Books\u2019 Sake you\u2019ll often find me arguing the merits of chick-lit as comedy aimed at women and the importance of not being put off by ridiculous flowery covers and storylines about heterosexual thirtysomething romances. I often cite Kinsella\u2019s Shopaholic<\/strong><\/a> series when discussing chick-lit as comedy for women for more than the fact that I just find them funny. The subject matter of the novel could easily turn a light story into a gritty social warning \u2013 the curse of debt and addiction, the crushing demoralisation of being stuck in a career you hate in order to pay the bills, the social anguish of being judged and criticised by those you can\u2019t help but think are better than you. However, Kinsella approaches these subjects with the character of Becky Bloomwood\/Brandon and makes them funny, and while I acknowledge that it\u2019s a tired old trope that all women like shopping, there\u2019s plenty of subject matter to relate to.<\/p>\n

I also love her quiet acknowledgement of the ridiculous suggestion that to read or write chick-lit you must be stupid. In an interview with the Guardian<\/strong> Kinsella wryly brushes off the hideous suggestion by the interviewer that somewhere her life must have gone wrong if she has an Oxbridge degree in business and finance yet chooses to write chick-lit. Her calm attitude towards suggestions that would leave me chucking plates against the wall shows professionalism and class that many would not associate with the genre.<\/p>\n

Caitlin Moran<\/h3>\n

On a basic level, Caitlin Moran is on my list because I want so desperately to get her in a room and demand that she tells me how I can become just like her. When someone asks me what I want to do with my life, my response is always \u201cto become a combination of Charlie Brooker and Caitlin Moran\u201d.<\/p>\n

\"Caitlin<\/a>I became aware of her work with How to Be a Woman<\/strong><\/a>. The fact that such an overtly feminist book became a bestseller is fabulously encouraging for all modern feminists, and the manner in which she writes her personal feminist agendas is inspiring. While I\u2019m not a huge fan OF WRITING IN CAPITALS TO EMPHASISE EVERY POINT I MAKE, I am<\/em> a fan of the messages she writes so simply and beautifully. Encouraging every woman to stand on a chair and shout \u201cI AM A FEMINIST\u201d without ever patronising those who may not automatically associate themselves with feminism is an attitude that I feel is necessary if we\u2019re to get more young people to identify as feminists. Her statement that \u201cyou\u2019re not fat if you can find a dress you look nice in and run up three flights of stairs\u201d has become something of a mantra for me when I\u2019m having a down day\/week\/month, and her unflinchingly honest approach to unfortunately controversial issues such as female masturbation and abortion is helping many women to finally be able to talk about them without any false shame or embarrassment. Plus, y\u2019know, she\u2019s piss funny and she went out drinking with Lady Gaga. Caitlin, on the off-chance that you\u2019re reading this, STOP TELLING ME HOW TO BE A WOMAN AND JUST TELL ME HOW TO BE YOU. (End unnecessary capitals.)<\/p>\n

Angela Carter<\/h3>\n

\"\"<\/a>Okay, so this is maybe the least obvious choice for my guestlist, but let me explain. While the early works of Carter may be the epitome of darkness, towards the end of her writing career and her life, her work began to pick up elements of obscure, magical humour. Wise Children<\/strong><\/a>, her final novel, brings together her developing interest in the lightness of human behaviour with the eye-popping spectacle of magic realism, all of which results in a beautifully hilarious final novel with heartbreaking undertones.<\/p>\n

I don\u2019t just want to invite Carter because she\u2019s funny, though. I want to invite her because she is my ultimate feminist icon. Her (at the time) unique approach to feminism and sexuality, constant refusal to change her opinions and beliefs just because she didn\u2019t fit in with current trends, and her skills as a writer (not only of fiction, but of intelligent and
\npersuasive feminist essays and arguments) make her one of my all time heroines. From what I\u2019ve read from biographies she was really, really funny in real life too, making her the perfect final addition to my table.<\/p>\n

So there it is, my funny women party guestlist. But which women of comedy would you<\/em> invite? Do you love my choices, or is my sense of humour enough to make you laugh in disgust?<\/p>\n