{"id":11884,"date":"2012-08-20T07:00:10","date_gmt":"2012-08-20T06:00:10","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=11884"},"modified":"2012-09-26T11:45:08","modified_gmt":"2012-09-26T10:45:08","slug":"hopeless-reimantic-part-one-virginal-heroines","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2012\/08\/20\/hopeless-reimantic-part-one-virginal-heroines\/","title":{"rendered":"Hopeless Reimantic Part 1: Virginal Heroines"},"content":{"rendered":"
For more about this series on Romance Novel Tropes, read Rei’s
Hopeless Reimantic intro post<\/a>.<\/em><\/p>\n
\n\u201cYou were a virgin, Jess.\u201d<\/p>\n
\u201cYes.\u201d This time she didn’t deny it. \u201cAnd the
reason I was still a virgin was because you’re the only man
I’ve ever wanted. I was never interested in anyone else. Even when
I thought I hated you, I still didn’t want anyone
else.\u201d<\/p>\n
–
Bought: Destitute Yet Defiant<\/strong>, Sarah Morgan (Harlequin
Mills & Boon Ltd, 2010)<\/p><\/blockquote>\n
I pretty much picked that first reference at random. Bought<\/strong><\/a> was the first Mills & Boon I ever
actually purchased (I say purchased; at the time of writing it was
still a free download on Amazon) and it was absolutely everything
I thought a contemporary romance would be, so it holds a special,
slightly nauseated place in my heart. It was a lucky choice,
though, because a great deal of what I want to say about this
trope is contained in this book.<\/p>\n
My
first romance novel. I promise it\u2019s cheesy in a whole
different way than it looks.<\/p><\/div> The virginal heroine
trope is one that holds a great deal of interest for me.
Bought<\/strong> is a pretty straightforward example of it
\u2013 the heroine is a virgin who has never had eyes for
anybody but the hero (and she’s twenty-two when the
story takes place, taking this out of the believable realm of
the adolescent crush), so not only is a sexual relationship
with him her first experience of sex, it’s her first
experience of emotional intimacy as well \u2013
and<\/em> there’s no mention throughout the book of
her having any other friends, so her connection to him is
pretty much her only in this world. Not even
Fifty Shades of Grey<\/strong>, with its
asexual-at-the-start heroine, sets the trope up so
perfectly. (Yes, I have read the
Fifty Shades<\/strong> trilogy. No, I’m not ready
to talk about it yet.)<\/p>\n
There’s a lot of \u2013 entirely justifiable
\u2013 outrage over how prevalent the virgin heroine
is, even today. I am
not<\/em> going to go into the whole problematic
mess that is the idea that a woman’s ability
to love truly and purely is somehow connected to her
physical \u201cpurity\u201d, or the idea that a
woman can only give herself fully to a lover \u2013
as if that’s a healthy focal point for a
relationship anyway \u2013 if she’s unclaimed
territory when the book begins, so to speak. (You
would not believe how many romances I’ve beat
myself over the head with in which the hero cries
\u201cI can’t take this anymore! I don’t
care if you were a dirty slutty hobag before we fell
in love! I love you anyway! …wait, you were a
virgin<\/em>? OH THANK GOD YOU BELONG ONLY TO ME
NOW\u201d.)<\/p>\n This\u2019d be pretty
much the standard response to non-virgins in many
romance novels. Source: Smart Bitches Trashy
Books, link at end of post<\/p><\/div>\n
Nor am I going to touch on the huge double
standard that is the the common pairing of the
virginal heroine with the Virile Manly Man, who
has explored delightful bedroom adventures with
many a lady fair \u2013 but still takes the
heroine’s virginity as proof that
she’s someone special. (But of course has
nevertheless been totally respectful of all of
his previous partners.
Of course.<\/em>) I may write about them
sometime, but this is an overview with a word
limit, so I’ll put some further reading
links at the bottom of the post and we can
call it even for now.<\/p>\n
She spans all genres, does the virginal
heroine (insert your own pun here. Yes, I
said insert. No, I didn’t mean \u2013
look, just go and sit in the corner, okay?),
and some are easier to deal with than
others. The historical probably has the most
easily explicable virgin heroine of all;
it’s history! We know what women were
like in history! Virgins were the most
highly prized of all the ladies,
weren’t they? Non-virgins were cast
out and shunned and other antisocial-type
punishments as well, and they would never
marry, so any heroine worth her salt is
going to
have<\/em> to be a virgin, or she’s
not going to be good enough for the hero.
Duh. It’s historical accuracy!
Everybody’s actions always
correspond perfectly with prevalent
attitudes of the time, didn’t you
know that? The paranormal and fantasy
genres get away with it pretty easily as
well, often with some kind of mystical
bond that predestines the two central
characters for one another \u2013 although
that doesn’t necessarily preclude
one of the characters having had sexual
relations beforehand. Sound like a
contradiction? I don’t think it is
\u2013 more on that in a moment.<\/p>\n
Which brings me neatly to the virgin
heroine who gives me the most trouble;
the contemporary one. This lady can be
anyone, you guys. She’s a
businesswoman or a hairdresser or a
secretary or a recluse. She’s shy,
or she’s loud and brash. But she
always has this part of her that
is…untouched, as it were, and
I’ve seen authors who will write
themselves around some pretty amazing
corners to keep that so. She’s
never found the right guy. She’s
never experienced sexual desire before,
or if she has it’s been fleeting
or fumbling enough to ignore \u2013 this
is
overwhelmingly common<\/em>. Which
brings me back to
Bought<\/strong>, with its heroine
who waited through an entire book
for a hero she was never even really
sure she wanted, because the true
and deep love she felt for him
superceded all other possible
emotional connections.<\/p>\n
In some ways, it’s not just
the heroine who gets this. A
discussion on I
(Heart) Presents<\/a> brought me
this, from an interview with
romance author Julia James:<\/p>\n
I must say, I\u2019ve done this
several times, when the hero,
realising the heroine is a
virgin, goes to great lengths to
ensure her first experience is
really special, and, of course,
in doing so, makes it really
special for himself as well. In
a way, she gives him her
physical virginity, and in
exchange he gives her his
emotional virginity.
Smart Bitches, Trashy Books has
its own epithet for the
hero’s \u201cemotional
virginity\u201d; they call it
his coming into contact with the
Magic Hoo-Hah. (The hero’s
counterpart for this is the
Mighty Wang, if anyone was
interested.) The principle is
pretty much the same; somehow,
during sex, the hero and heroine
exchange a piece of each other
that nobody’s ever seen or
touched before. And, because of
the underpinning idea that men
are physical creatures where
women are emotional ones, that
usually translates to the
heroine being physically
untouched before she meets the
hero, and nobody ever having
touched His Heart1<\/a><\/sup>.<\/p>\n
In a lot of ways it is this,
more than a heroine’s
physical virginity, that
worries me about the trope
as a whole. Because
it’s been occurring to
me more and more often than
the virginal heroine does
not necessarily need to be a
virgin, per se; the second
most commonly occurring
version of this trope that
I’ve read, usually in
contemporaries, is one in
which the heroine
has<\/em> had sex. Not,
in most cases, often
\u2013 maybe once or
twice, and always with the
man she fancied herself in
love with before she met
the hero. But she
didn’t really enjoy
it; it was uncomfortable
or even painful, and after
that relationship ended
she never really thought
of doing it again, and she
figured she’d never
really understand what
about it was so much
fun.<\/p>\n
Even LGBT romance has
its own version of this,
in the form of the
straight-person-turned-gay
(rarely if ever is there
a story of a straight
person turning bi), who
had sex \u2013 even lots
of sex! – with the
opposite gender, but
never really experienced
attraction before
meeting their same-sex
true love. Which is a
plausible enough
narrative, in fairness,
but loses something in
that the true love in
question tends to be the
only person our
straight-turned-gay
hero\/ine experiences
any kind of attraction
towards at all.<\/p>\n
I’ve seen
justifications of this,
and I can see why
it’s popular. If
romance is
fantasy-fodder, what
creates a more perfect
fantasy than two people
exploring new emotional
ground together so that
you, the reader, can
vicariously experience
all of that awe-struck
joy and wonder? You only
fall in love for the
first time once, after
all, and this creates a
world in which the first
time you experience this
all-consuming emotion is
also the only time. You
wander into this amazing
place, all innocence,
and you are thrilled and
delighted \u2013 and
then you never have to
leave again. What could
be more perfect than
that?<\/p>\n
Okay, who here has
witnessed somebody
they’re close to
fall in love for the
second (or third or
fourth) time? And \u2013
and I’m aware that
not everybody does this
\u2013 who’s also
seen them perform this
amazing feat of
selective memory, where
suddenly their past
relationships no longer
really
\u201ccount\u201d? Oh,
sure, they’ll say,
we had some good times,
it was fun while it
lasted, but it was never
really all that \u2013 I
always
knew<\/em> something
was missing. And now
I’ve found it,
because this \u2013
this<\/em> \u2013
is the real
thing.<\/p>\n
Who’s seen
that repeated over
and over again
through a cycle of
partners?<\/p>\n
Because watching
that happen?
That’s the
kind of feeling
this trope gives
me. I want to be
happy that this
kind of
“mine is a
love that
I’ve never
yet loved”
tabula rasa brings
happiness to
people, but
– I
can’t. It
kind of depresses
me, if I’m
honest. I’m
more a believer in
there being A One
(or more than one
One!) than there
being The One, but
I wasn’t
always, and even
when I
wasn’t
I’ve always
kind of thought
– so what if
somebody’s
not The One? Do
they have to be
secondhand? Even
in Fantasyland, is
it so important
that every single
other relationship
a person has
before they meet
The One be
denigrated like
this? Even stories
about a person
loving again after
they’ve lost
a partner to death
suffer from this
kind of “it
was never like
this before, this
person is touching
a part of me that
has never been
touched”
thing, bar a very
rare few.<\/p>\n
There are
exceptions to
this, of course.
I’m
desperate to get
my hands on A Gentleman
Undone<\/strong><\/a>
by Cecilia
Grant, which
unfortunately is
only out in
print, but
features a
courtesan
heroine who
actually
enjoys
sex,<\/em>
even before
she meets the
hero. I
recently read
a pretty
damned
excellent book
by Molly
O’Keefe
called Can’t
Buy Me
Love<\/strong><\/a>,
whose hero
and heroine
are many
things, but
untouched
ain’t
one. In
LGBT-ish
fiction, and
incidentally
also one of
the
“very
rare
few”
widower-whose-previous-relationship-meant-quite-a-bloody-lot
books,
Deirdre
Knight’s
Butterfly
Tattoo<\/strong><\/a>
has two
people
loving
again
without
discounting
their
prior
experience.
And the
hero’s
bisexual.
Right
on.<\/p>\n
So
that’s
Virginal
(Emotionally
and
Physically)
Heroines
(with
the
occasional
Hero).
Next up,
I…haven’t
actually
decided
what
I’m
covering
yet!
Enjoy
the
mystery.<\/p>\n
Further
reading:<\/p>\n
<\/a>
<\/a>
\n
[Source]<\/a><\/p><\/blockquote>\n
\n
\n<\/a><\/li>\n