{"id":10325,"date":"2012-03-28T10:59:57","date_gmt":"2012-03-28T09:59:57","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=10325"},"modified":"2012-03-28T10:59:57","modified_gmt":"2012-03-28T09:59:57","slug":"kickass-princesses-part-1","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2012\/03\/28\/kickass-princesses-part-1\/","title":{"rendered":"Kickass Princesses, Part 1"},"content":{"rendered":"
Fairy tales! We all like fairy tales, right? They have both an air of comfort and adventure about them, and \u2013 as they\u2019re something we first came into contact with as young children \u2013 there\u2019s also an almost familial fondness for some of them. As they come from the oral tradition, folk\/fairy tales have adapted slightly with each retelling to suit the world around them \u2013 but as Treasury Islands<\/a> recently pointed out, the writing\u2013down stage of most tales we know (i.e. when they became a little more set in stone) happened in deeply misogynistic times \u2013 and this carries through in even our most beloved fairy tales.<\/p>\n
In the world of children\u2019s books there’s a double-whammy of bad female role models and massive under-representation. There’s only one female character to every 1.6 male characters<\/a>. One of the few regular traditional roles for girls in children\u2019s literature is that of the princess, but it doesn\u2019t take a genius to see that the traditional princess trope doesn\u2019t give girls many positive or useful goals to aim for: look pretty, be born into or marry into hereditary privilege and\u2026 uh\u2026 that\u2019s it. Happily ever after. Forever. Are you bored yet? I am.<\/p>\n
So, as it doesn\u2019t look like we\u2019ll escape the princess trope any time soon, it\u2019s time to play with it instead. There\u2019s no need to throw out the castles, dragons and bling along with the bathwater – there are plenty of good children\u2019s books out there featuring kickass princesses who do more than just wear dresses. In this post, the first of a three parter, I\u2019m going to give you the lowdown on some good princess role models for your sprogs\/selves (delete as age-appropriate).<\/p>\n
Disclaimer before we begin:<\/strong>
The Paper Bag Princess<\/strong><\/a> is a short, snappy
children\u2019s book aimed at the 3-5 age group. (Click
here <\/a> to hear it read to you by a kindly librarian.)<\/p>\n
The book begins with a typical princess called Elizabeth who
\u201clived in a castle and wore expensive princess
clothes\u201d. She plans to marry Prince Ronald, but when a
dragon steals away the prince and scorches all the kingdom
(including all her pretty clothes) she doesn\u2019t waste a
moment: she dons the eponymous paper bag (the only unscorched
thing she could wear) and goes off to rescue her man,
defeating the dragon using her wits.<\/p>\n
Munsch has explained that he wrote the book on his
wife\u2019s suggestion<\/a>:<\/p>\n
One day my wife, who also worked at the daycare centre, came
to me and said \u201cHow come you always have the prince
save the princess? Why can\u2019t the princess save the
prince?\u201d I thought about that and changed around the
ending of one of my dragon stories. That made the adults a
lot happier, and the kids did not mind.<\/p><\/blockquote>\n
(Of course the kids didn\u2019t mind \u2013 they don\u2019t
have such strong pre-conceived ideas of narrative
yet!)<\/p>\n
But as well as the princess doing the rescuing,
there’s also a brilliant message about self-esteem and
moving on. The Prince, once rescued, turns out to be an
ungrateful asshat, telling Elizabeth off for looking a mess:
\u201cCome back when you look like a real princess.\u201d
Upon hearing this the princess doesn\u2019t get upset or
angry. She tells the prince, \u201cYour clothes are really
pretty and your hair is very neat. You look like a real
prince but you are a bum.\u201d (or a toad if you have the
UK version). The final line – \u201cthey didn\u2019t
get married after all\u201d – is illustrated with the
Paper Bag Princess dancing off into the sunset.<\/p>\n
This book is a brilliant, simple primer for just about
everyone. It teaches people that being brave, smart and kind
are more important than how you look \u2013 and that when
someone is mean to you, you can be the bigger person walk
away. That\u2019s a double-helix of kickass for all genders,
packed into a very short picture book.<\/p>\n
<\/a><\/p>\n
Babette Cole has done a lot of awesome for
children\u2019s literature. Her drawings are warm,
funny and just more than a bit gorgeous, and
she\u2019s also subverted Cinderella in Prince Cinders<\/strong><\/a> (and done plenty
more<\/a> amazing children\u2019s books, but
I\u2019ll focus on this one.)<\/p>\n
(Once again, you can have
this book read to you<\/a> on YouTube.)<\/p>\n
However, wanting to put an end to the constant
stream of suitors once and for all, Princess
Smartypants says she will marry whoever can
accomplish all the tasks she sets. This is where
it gets badass – her tasks show her
interests: gardening (an extreme sport when you
see the slugs); feeding her monster pets; roller
disco; motorbike riding \u2013 you get the idea.
Princess Smartypants is accomplished,
independent, and happy getting up to the stuff
she enjoys.<\/p>\n
Eventually Prince Swashbuckle does manage all
the tasks, so this is where Princess Smartypants
uses her plothammer card and turns him into a
toad. Grumpy toad prince drives away in his red
sports car, and no princes bother her again. (My
plot spill is nothing without the illustrations
\u2013 for the love of God, READ THIS
BOOK.)<\/p>\n
As with
The Paper Bag Princess<\/strong>, the final
frame page of this book combines the news that
the protagonist doesn\u2019t get married with
an illustration of her looking very happy
– in this instance, on a sun lounger,
toasting the audience with a glass of
something, and surrounded by her monster
pets.<\/p>\n
The message from both of these books is that
you can create your own happily ever
after.<\/p>\n
Princess Bedelia is given common
sense as a baby by a visiting
fairy (the other two fairies
bestow the more expected gifts of
beauty and grace), despite her
father\u2019s complaint of
\u201cWhat good is common sense to
a princess? All she needs is
charm.\u201d<\/p>\n
However, when a hungry dragon
demands Bedelia to eat and a
dragon slayer can\u2019t be found
soon enough, the King and his
advisors decide they\u2019ll have
to give her over to be eaten. Our
girl takes control of her own fate
with a kind of weary resignation
when she realises no one else is
up to the task. She makes a dummy
from straw and one of her finest
gowns, and stuffs it with
gunpowder. Bye bye dragon.<\/p>\n
When a powerful but
age-inappropriate and unwanted
suitor turns up, Bedelia sets him
near-impossible tasks using her
extensive knowledge of the
surrounding kingdoms \u2013 and
uses her sense to catch him out
when he cheats. When our girl
winds up in a tower with a male
Rapunzel\/Sleeping Beauty-type
prince, she uses her common sense
to undo the spell he is under, and
rescue them both.<\/p>\n
This story isn\u2019t my favourite
of the lot \u2013 I found the
heroine very slightly prissy, and
the details and language
didn\u2019t really warm my
cockles. However, the moral of the
story is pretty much
\u2018don\u2019t panic, keep
thinking, you\u2019ll find a
solution\u2019, and ain\u2019t no
arguing with that. Hip-hip hooray
for brains!<\/p>\n
The Wrestling
Princess<\/strong>
takes place in a world
where some gender
roles are set in
stone, but some are
very altered. Princess
Ermyntrude is either
wrestling the guards
or covered in axle
grease, working on her
tractors and
helicopters –
but the King tells her
she has to find a
husband for the
succession. The
princess\u2019s
resistance and her
father\u2019s weary
insistence make for a
good introduction to
the debate on
succession. Also,
Ermyntrude’s
father naming the
\u2018feminine\u2019
traits she needs sets
them up to be
deconstructed\/dismissed:<\/p>\n
\u201cTo get a
husband you must
be enchantingly
beautiful, dainty
and weak,\u201d
said the king.
The ensuing
prince\/groom
casting-call both
plays to some
gender norms
(it\u2019s a rule
that the prince
must be taller
than her) and some
non-norms (the
prince must be
able to match her
in a face-pulling
contest).<\/p>\n
This princess does
eventually get
married, but to a
short prince who
has a shared love
of mechanics and
loves her for who
she is, and vice
versa.<\/p>\n
\u201cYou\u2019re
too short,\u201d
said the
king.
In this book,
unlike the
previous two,
marriage
doesn\u2019t
turn out to be a
thing to be
avoided \u2013
provided
it\u2019s with
the right
person. This
story is about
deconstructing
the existing
framework of
helpless
princesses and
dashing princes
\u2013 and it
also becomes
about two
quirky, likeable
people meeting
and falling in
love. And falling
in love is
totally punk
rock<\/a>.<\/p>\n
I
actually
picked
this
one up
by
accident
when
friends
were
singing
the
praises
of the
other
Practical
Princess<\/strong>
book
(see
above)
\u2013
but
I
thought
it
would
be
worth
comparing
and
contrasting
these
different
practical
princesses.<\/p>\n
This
book
is
far
more
recent
than
most
on
this
list
(the
others
all
being
from
the
1980s),
and
it
is
not
particularly
feminist,
but
it
does
play
with
the
trope
a
little.<\/p>\n
Having
read
it,
I\u2019m
not
quite
sure
why
this
one
has
the
name:
Molly,
our
protagonist,
is
only
a
bit
practical
and
she\u2019s
not
actually
a
princess.
Molly
is
an
ordinary
(read:
extraordinarily
beautiful,
but
non-royal)
girl
who
wants
to
be
a
princess,
so
she
enters
a
casting-call
to
find
Prince
Percival
a
bride.
Her
farmer
parents
help
her
by
making
and
buying
pretty
clothes
and
shoes
at
great
expense,
and
her
lovely
boyfriend
Stan
makes
her
a
crown.<\/p>\n
That\u2019s
right,
she
has
a
boy
back
home
who
loves
her
already,
and
\u2013
though
he
doesn\u2019t
want
her
to
go
\u2013
he
helps
her
because
she
has
her
heart
set
on
becoming
a
princess.
He
even
drives
her
to
the
competition.
POOR
LOVELY
STAN.<\/p>\n
\nThese books are primarily
working from the Western European fairy tale trope, so whilst they may kick
ass, some elements remain disappointingly similar throughout \u2013 namely
that the princesses are often ‘conventionally beautiful’, often
blonde, always Caucasian, and in this selection the tales all revolve around
the marriage trope. I hope to uncover a wider variety of ass-kicking later,
but in the meantime here are some nonetheless very good children\u2019s
books.<\/p>\n
The Paper Bag Princess<\/h3>\n
\n
Princess Smartypants<\/h3>\n
\n
The Practical Princess<\/h3>\n
\n
The Wrestling Princesss<\/h3>\n
\n
\n\u201cWell,
I\u2019m
not,\u201d said
Ermyntrude
cheerfully.
\u201cI\u2019m
nothing to look
at, I\u2019m six
feet tall and
I\u2019m certainly
not weak. Why,
Father, did you
hear, this morning
I wrestled with
sixteen guards at
once and I
defeated them
all?\u201d
\n\u201cErmyntrude!\u201d
said the king
sternly, as he
rethreaded his
needle with No. 9
blue tapestry
cotton.
\u201cErmyntrude,
we are not having
any more wrestling
and no more
forklift trucks
either. If you
want a husband you
will have to
become delicate
and
frail.\u201d
\n\u201cI
don\u2019t want a
husband,\u201d
said the princess
and she stamped
her foot
hard.<\/p><\/blockquote>\n
\n\u201cHe\u2019s
not,\u201d said
the princess.
\n\u201cNo,
I\u2019m not,
I\u2019m exactly
right and so is
she,\u201d said
Prince Florizel.
\u201cThen when
I saw her
pulling faces
and shouting
insults and
throwing princes
to the ground I
knew she was the
one person I
could fall in
love
with.\u201d
\n\u201cReally?\u201d
asked the
princess.
\n\u201cTruly,\u201d
said Prince
Florizel.
\u201cNow, come
and see my
mechanical
digger.\u201d<\/p><\/blockquote>\n
Honourable
mention:
The Practical
Princess
<\/strong><\/h3>\n
\n