Last week, Paul Cornell (comics, TV and novel writer) stated that, in a bid to get more equal gender representation on Science Fiction and Fantasy convention panels, he was going to stand down from any panel that wasn’t 50/50 or near as and invite a woman to take his place.
Cue an awesome shitstorm of vitriol and support. The main thrust of some feminists’ arguments I’ve heard against this, and in some cases against Paul personally, is that this was ego boosting, man-on-a-white-horse, mansplaining wank and we don’t need it.
Sorry, sisters, but we do. Let’s take a look at the arguments.
1. ‘This looks like it’s a man to the rescue of women, showing us in a submissive and passive light, needing us to be thrust into the spotlight by a man with agency.’
Um, yes. You know why? Because sexism has been so ingrained in SFF over the years, back when it was a male-dominated genre, this is actually our starting point. Editors get fewer submissions from women regarding horror, fantasy and hard SF, the subgenres that are often most applauded by critics (also mostly male). Publishers put fewer women forward for convention guest spots, and female authors themselves look at the gender make-up of panels and step back. I think women haven’t stood up en masse to rectify this because it became the norm. We told ourselves ‘SFF is sexist, so they don’t notice women’ and forgot that arguably – especially when you take account of urban fantasy and paranormal romance – there are more of us in the genre, and hey, we sell more copies. We have as much right to be at those cons, doing those signings, making our voices heard, as the feted men do. SFF convention organisers have shoved women on all-women panels, told us to talk about ‘women in SFF’ and then told us that’s the debate and equality will shake out of that. It won’t. I think, somewhere along the way, we forgot to band together and tell SFF and con organisers to go shove their sexism. Maybe this will help.
2. ‘We don’t need no man sorting this out for us.’
See above. We do. It sucks. That’s the frikkin’ point. SFF wasn’t listening when we were raising our voices. I wish, I fervently wish, that when a woman makes a point about gender inequality, it wasn’t explained away as being a ‘women’s issue’ and therefore marginal and easy to ignore. It shouldn’t be. This is about equality – which affects you, regardless of gender. Yes, it sucks that the world takes notice when a man does something. No, it shouldn’t be this way. But it is. And maybe, just maybe, if we join hands and do this thing together without drawing gender lines ourselves, in a few years, it won’t be this way anymore.
3. ‘This casts the woman who is invited to speak as an also-ran, putting her immediately as a runner-up to the man stepping down for her.’
Yes, it does. And I think this does mean that Paul may have to change his approach, perhaps so that he and other people (male or female, it’s 50/50 for all) ask the con organisers to disclose the gender balance of the panels they are being invited on, and then, if it’s out of whack, suggest another male (or female) author to readdress the balance. This way, your fans still get to see you on a balanced panel elsewhere at the convention, and there doesn’t have to be any theatre or drawing of attention to an act of substitution.
But, and I want to be really clear about this, just because Paul suggested something that isn’t 100% ideal for women, doesn’t mean we have to throw out the entire idea. The theory is good; we just have to look at the best way of putting it into practice. We don’t need to get into an uproar because the first suggestion wasn’t the best approach – it’s not carved in stone.
My point is: this is a starting point. We’re gonna have to be big girls and suck up some of the stuff we don’t like to help make a change that we desperately want. We have to be pragmatic and proactive, because the status quo wasn’t changing with us doing nothing or shouting about it in forums and on blogs. We shouldn’t be jumping on this suggestion and saying it’s all tosh because it can be seen as patronising – can we please get past that and look at how the entire situation that this is trying to fight against is worse?
Paul’s proposal may not be perfect. But out of it is growing a 50/50 movement that a lot of women and men are getting behind. We’re asking people to talk to cons to check out their gender balance before they say yes. We’re asking women to promote themselves more. We’re asking readers to look at their shelves and see if they read mostly female or male authors, and to try adding a different gender to the shopping cart next time they buy books. I’m hoping that feminists can look at the big picture here and see that we are struggling to bring visible equality to SFF – and that along the way, we’re going to need equal input from all genders to do it.
Have you ever looked at superheroines today and thought “Hmmm… they could be a bit more comfy.” All that spandex and those costumes with holes cut out, don’t they ever get cold? Don’t they ever just want to put their slippers on and relax?
Well, artist Hanie Mohd must have thought the same thing, because she’s got a whole series of prints on Etsy featuring super girls in sweaters, and they’re super cute, too! She’s got Power Girl, Catwoman, Oracle, Harley Quinn, Poison Ivy, Rogue from the X-Men and Stephanie Brown’s Batgirl. I wonder who she’ll draw next?
I’ve bought the Catwoman print, and after all the hullabaloo about how much Catwoman was or wasn’t wearing in the DC52, there’s something that’s quite comforting about seeing Selina in a kitty sweater. Doesn’t she just look so happy to be wearing it?
The SFX Weekender is an annual sci-fi convention run by SFX Magazine; it took place in Rye in the south of England in 2010 and 2011, and this year it’s based in Wales at Prestatyn Sands, from the 2nd to the 5th of February. There are events for those who love comics, gaming, SF movies and books, and unlike what might be thought of as a ‘typical’ sci-fi convention there are always loads of women there enjoying the show.
I’ve been before, and I’m going again, this year they’ve got stellar guests such as Alex Kingston, who plays River Song in Doctor Who, and Eve Myles who plays Gwen in Torchwood. There’s also Hattie Hayridge, the standup comedienne who plays Holly in Red Dwarf and Sophie Aldred, who used to play the Doctor’s companion, Ace, in Doctor Who in the 1980s. There’ll be some great scifi and fantasy authors there too, from fantasy authors Juliet McKenna (who wrote this great post for us on the representation of women in fantasy last year) and Mark Charan Newton, comics authors such as Paul Cornell and Dan Abnett, to sci-fi authors Jaine Fenn, Michael Cobley and China Miéville.
There are always great booths and an equally great programme of panel discussions, writing workshops, quizzes, and cosplay competitions, awards ceremonies such as the SFX Awards and the Kitschies, and a ‘Maskerade’ party on the final night (DJed by Red Dwarf‘s Craig Charles). All best enjoyed with some cold beer and some good geeky friends, of course.
Did you know The Ballad of Halo Jones had been adapted into a play? No, neither did I, but the Alan Moore story that’s been named as one of feminist website The F Word’s recommended comics and graphic novels was perfomed by Manchester-based production company Scytheplays in early January.
We heard about this production via this glowing review from Ed Fortune.
Halo and her friends live on the Hoop – a repository for the unemployed in the 50th century, but she won’t be beaten. She dreams of getting out and becomes a legend in the process.
The current run is over now, but maybe they can be persuaded to go on tour? Comics writer Maura McHugh mentions her love of Halo Jones in an interview with BadRep here.
We also found out recently that Cory Doctorow’s revolutionary YA novel Little Brother has been adapted for the stage by The Custom Made Theatre Co., though sadly this theatre happens to be in San Francisco, America, so I don’t think we’ve much chance of seeing that one…
Do you know of any other SF stage adaptations going on at the moment? Share them in the comments or send them to the usual BadRep editors address!
This story on Tumblr, about a little boy who wanted to buy a purple controller and a ‘game for girls’. Dear Customer who stuck up for his little brother…
Awesomewatch: Have YOU seen an awesome thing? Tell our Jenni all about it.
]]>About a hundred years behind the rest of the entire internet, I’m playing Mass Effect 2, and I’m enjoying it so, so much. I want to book a week off work just to complete it, and game all day long.
You play Commander Shepard, who can be a man or woman, and it’s amazingly refreshing to be able to play a female war hero (either way, you’re pretty famous, after saving the galaxy in Mass Effect 1). It’s great to be able to play this female character who inspires so much respect in her colleagues, military and civilian – everywhere she goes, even big scary warlike aliens are afraid of her. My Shepard’s a not-very-physically-intimidating blonde, so it’s kind of fun.
I love the team-building aspects of the game, too. You have to persuade people to join you, and keep them happy and loyal throughout the game. You can play as a good guy or a bad guy, and some of the choices the game gives you (allow genocide to continue for the good of the galaxy?) are brilliant to play through. As writer and fellow Garrus fangirl Jennifer Williams said in her review:
Bioware seem to specialise in making the sort of games where you have to put the controller down for a bit and have a really good think about the consequences of your actions.
Several articles have been written on how feminist-friendly the game can be, some on this blog, so I won’t go into too much detail here except to add my name to the many reviewers recommending it. Even if you don’t play many games, you should try this one. I’m running it on my laptop; you can check here whether you can run it on your computer…
Mass Effect 3, out next summer, looks like it’ll be even better. They’re promising to use a female Shepard in the marketing drive, and although there were lesbian options2 available for Shepard to romance in Mass Effect 1 and 2, in 3 male Shepard will be able to romance some of the guys, too. I’m not sure why these things weren’t done before, but I feel like Bioware is at least a company that listens to what its fans want. I’ll be checking out their Dragon Age II next (another game highly recommended by geeks and feminists!) while I wait impatiently for ME3…
I didn’t buy many of the comics that came out of the DC52, but I did have to pick up Paul Cornell’s Demon Knights, because I’ve enjoyed his Doctor Who episodes and his Captain Britain comics before.
As much as many DC52 comics have been a disappointment, (Harley Quinn loses half her costume! Catwoman wants to show you ALL HER BRAS. ALL OF THEM. Amanda Waller becomes skinny! Disabled character Oracle walks, becomes Batgirl! DC comics manage to become even less diverse!) I still have to say, this one looks promising.
Demon Knights is set in the Middle Ages, and Paul cites Dragon Age II and ‘the medieval Magnificent Seven’ as points of inspiration. Much like my old favourite Secret Six, (sadly, sadly, outrageously cancelled for the DC52,) it seems as though it will star protagonists who range from reluctant antiheroes who’d rather be at the pub, to absolute bastards who are just along for the fun of it, saving the day and arguing and falling in and out of bed with each other while they do it. My favourite kind of heroes.
Promisingly for the fans of this blog, it also looks as though not only will four of the seven ‘knights’ be of the female persuasion, but the main baddie, the Questing Queen, is also very much a lady.
Well, I say four ladies… Sir Ystin, a knight who self-introduces as ‘sir’, may turn out to be more nuanced than that. Earlier versions of the character, the Shining Knight, have been both a cissexual man, and a young girl disguised as a man in pursuit of her true love, Sir Gawain, but neither of those seem to fit here. Hints dropped by Paul, and Ystin’s insistence on the title ‘sir’ in this volume, however, despite the other characters’ doubt, makes me wonder whether we’re actually seeing the first gender variant character of the DC52…
It’s hard to judge an entirely new comic on just twenty pages, but this issue made me laugh, and made me want to know a lot more about all seven of the main characters, which is pretty much what I want in a first issue.
It’s also extremely quotable:
We find the source of the problem, and we throw dragons at it.
The Mary Sue is really awesome. It’s like BoingBoing for fangirls. They always have the news first. Trailers, casting decisions, I don’t know how they get there so fast.
Battlestar Galactica‘s Starbuck features on the logo above, but you get a different geeky lady character every time you refresh the site. You can read about their logo design and why they picked those characters here.
I’m enjoying the way they’ve named it after Mary Sues, as well. It feels like a challenge. That word that gets thrown at the woman in a fandom work who’s, y’know, not supposed to be there.
There’s slash references and feminism and science and fun things on Etsy and Hipster Harry Potter fanart and the gender-bent Justice League and lists like 10 Things That Could Happen If You Pretend to Be A God, 10 Couples Who Are Badass Together, and 10 Fictional Universes We’d Like to Live in Based on Food Alone…
It’s a bit addictive.
My feminist-inclined friend Hannah, who, when recently invited to a ‘Tarts and Vicars’ party, dressed as a Bakewell Tart. Because, well, what is a ‘tart’ anyway?