image – Bad Reputation A feminist pop culture adventure Wed, 01 Jun 2011 08:00:36 +0000 en-US hourly 1 https://wordpress.org/?v=5.6 37601771 Can Adele and her Marketing Men Change the Face of Women in Music? /2011/06/01/can-adele-and-her-marketing-men-change-the-face-of-women-in-music/ /2011/06/01/can-adele-and-her-marketing-men-change-the-face-of-women-in-music/#comments Wed, 01 Jun 2011 08:00:36 +0000 http://www.badreputation.org.uk/?p=5861 Poor old millionaire superstar Adele, eh? No sooner has the dust settled on the furore over her objections to being a higher-rate taxpayer, than she gets thrown into the vanguard of another of those putative Real Women in Music revolutions. A mere three years after she started out, and after just seventeen weeks of her second album at Number One, it appears to have suddenly dawned on Richard Russell that Adele exemplifies all that’s healthy and hopeful in the otherwise dire and overheated state of contemporary pop.

“The whole message with [Adele] is that it’s just music, it’s just really good music,” said Russell. “There is nothing else. There are no gimmicks, no selling of sexuality. I think in the American market, particularly, they have come to the conclusion that is what you have to do.”

cover art for Adele's second album 21, featuring a black and white facial photographic portrait of the singer, a young white woman with long fair hair, with her eyes closed as if lost in thoughtThe main reason why Russell’s claims about Adele should be regarded with scepticism is that Russell is the head of Adele’s record label. Even leaving aside such vested interests, his argument that she represents some kind of paradigm shift has been ably deconstructed here by Laura Snapes.

The Guardian article linked to above has a few frustrating facets of its own. I’m not sure why Rihanna’s ‘S&M’ should be hoicked in to illustrate Russell’s point: there’s a difference between having a sexualised image – usually, when it’s the subject of criticism, one that’s been externally imposed on an artist – and singing about sex and sexuality. Especially when ‘S&M’ is a more complex song than that framework allows for – arguably one in which Rihanna presents non-mainstream sexuality in terms of female agency. Finally, the idea of good-girl, sexless Adele vs bad-girl, sexualised Rihanna is a false dichotomy with problems in abundance.

Adele’s own image is hardly free of contrivance, harking back as it does to the blue-eyed soul divas of the 1960s – classily sexualised, perhaps, but sexualised nonetheless. In her chosen brand of popular music, a degree of sex in your self-presentation is, as Russell correctly identifies, inextricably linked to commercial success. It’s even arguable, unfortunately, that it’s Adele’s very distance from the currently acceptable aesthetic norms of her genre that has necessitated she be marketed with a different, ‘desexualised’ focus. Had Adele possessed her own voice but the body of, oh, let’s say Katy Perry, would her image have been sexed-up business as usual?

Russell is taking issue, of course, not with the marketing and self-presentation of all women in music, but with a particular branch of commercial pop, and the marketing therein of female artists by predominantly male management, which was ever thus. If his comments do kickstart a new way of measuring the money-making potential of women in music, then great, but it’s going to be an uphill struggle in view of the constant and increasing pressures on female performers – as well as male – to conform to a blandly beautiful industry standard.

Is Adele’s refusal to bow to that standard, as Russell claims, as radical today as the Prodigy were in the early 1990s? Let’s face it, mainstream acts are so limp and colourless right now, and popular culture so devoid of ideas, experiments and imagination, that yeah, it probably is. Never mind that the Prodigy were highly politicised and engaged with a wider oppositional culture, while Adele is outspoken in bemoaning her tax burden.

While no one can begrudge Adele her success, or deny that it’s refreshing to witness, the fact that she can be said to occupy a radical position is more an indictment of contemporary music than it is a compliment to her. The most positive thing about Russell’s remarks is the opportunity they offer to reiterate a greater truth: that commercial profit-driven pap purely designed to generate a profit is more than socio-culturally damaging for women, it’s dull.

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Rhian Jones also blogs at Velvet Coalmine.

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What Does Feminism Look Like? /2011/03/07/what-does-feminism-look-like/ /2011/03/07/what-does-feminism-look-like/#comments Mon, 07 Mar 2011 09:00:39 +0000 http://www.badreputation.org.uk/?p=3877 Image is important. Sad but true. And it is widely held that feminism has an image problem. I thought I’d do some of my famous research into what the internet says feminism looks like.

This is an exciting web 3.0 INTERACTIVE post, rather than one that’s full of pictures, because of copyright licensing laws. When you hear this noise – *ping!* – click the link and hopefully the search results will open in a new window for you to enjoy.

Google Images

*ping!*

Google provide personalized search results of course, so what you see when you Google images of feminism is probably different from what I’m seeing. But what I got is for the most part old favourites, and mostly images created by or appropriated by the feminist movement. I love these pictures. But they are getting kind of old:

Female symbol with fist

Ouch!

  • Rosie the Riveter (what are we going to do when the 1940s aren’t fashionable anymore?)
  • “If I had a hammer… I’d SMASH patriarchy” graphic (a proto-Feminist Hulk? SMASH!)
  • The female symbol with fist – actually a little alarming when you think about why that symbol represents the female.  Punching wombs for equality!
  • Various classic slogans on t-shirts, badges and banners
  • Pictures of Women’s Liberation marches
  • The ‘Look, kitten’ cartoon
  • A painting by Artemisia Gentileschi. It’s ‘Judith beheading Holofernes’, in fact. Bet she was a feminist too – we can’t get enough of violence against men, apparently (more on which later)

In amongst these are the anti-feminist blogger’s illustration of choice, the demotivational poster.

Clipart

*ping!*

These days, some people pretend to be dorky to be cool. I’m the real deal. My major love-in with clipart was at secondary school when I decided to make a school newsletter. No one would do it with me, so I wrote and laid it out and printed it and distributed it in all the classrooms by myself. There was no second issue.

Anyway. Clipart offerings for feminism were pretty thin on the ground, and included:

Those women in red are just the tip of the iceberg in representations of feminism as women fighting / besting / attacking / murdering men, it turns out…

Stock Photos

Famously bizarre friend of the low budget publication producer, there is nothing quite like browsing cheap stock photography websites. There’s even a tumblr dedicated to some of the more outlandish findings.

Let’s start with iStockPhoto.

*ping!*

Yes, that’s right. The first image to come up under ‘feminism’ is a woman holding a gun to her sleeping partner’s head. See also:

Silhouette of a man kneeling down, chained to a giant pink highheeled shoe with a lipsticked, presumably "female" mouth on the side of the shoe's heel. The other end of the chain is held by the shoe-mouth.

This startling picture came up under 'feminism' on free stock photo site www.sxc.hu

 

I find this simultaneously worrying, revealing and hilarious. There we were, slogging away, trying to get recognised as a valid and powerful political movement and to assert our credibility as a critical paradigm, and it turns out all the people creating and using these images are afraid that we’re going to come and BEAT THEM UP.

Other things come up too, but the women-attacking-men theme is pretty striking. One notable exception is this unbelieveable piece of tastelessness: “Sexy woman wearing a Burkha”.

On to Shutterstock, a much friendlier and sexier place, it turns out.

*ping!*

There’s really too great a variety of bizarre representations of feminism here for me to summarise, but highlights include:

The violence against men is present, but it’s more symbolic – women are cutting or stamping on their ties – or implied: the boxing gloves are back, and this enterprising young lady has an assault rifle.

There are also a lot of pictures of attractive models looking like they can’t wait to advertise your new cleanser.

Not that I could ever afford to buy pictures from Getty, but I checked them too.

*ping!*

Popular themes seem to be men and women glaring at each other in offices, arm wrestling and tugs-of-war (also in offices) and another disturbing guns-in-bed picture.

Last stop:

Creative Commons

Firstly: I love Creative Commons; it basically makes my job possible (producing decent communications materials for charities). Y’all should donate to support them.

*ping!*

Flickr is the main place I use for CC pics, and what comes up under ‘feminism’ is on the whole just pictures of the day-to-day business of it. Panel debates, speakers, meetings, marches, placards, some cool graffiti…

Not especially glamorous, but less weird and less violent than what stock photography sites seem to think goes on.  For example, I couldn’t find a single picture of a sexy bride in boxing gloves punching a businessman’s head off.

 

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