{"id":13117,"date":"2013-02-02T00:27:11","date_gmt":"2013-02-02T00:27:11","guid":{"rendered":"http:\/\/www.badreputation.org.uk\/?p=13117"},"modified":"2013-02-04T10:49:09","modified_gmt":"2013-02-04T10:49:09","slug":"deep-silver-dead-island-and-conversation-piece","status":"publish","type":"post","link":"https:\/\/badreputation.org.uk\/2013\/02\/02\/deep-silver-dead-island-and-conversation-piece\/","title":{"rendered":"Of Deep Silver, Dead Island, and Conversation Pieces"},"content":{"rendered":"

Editorial Note:<\/strong> Deep Silver have, since this post was written, apparently issued some sort of apology<\/a> for this. Which is progress! Hooray! Nonetheless, we’re not seeing a reason not to post this anyway, because it’s not as if this kind of shit isn’t part of a wider stream of crap that makes us feel pretty endlessly tired when we’re trying to get on with consuming our pop culture. And a retraction doesn’t really answer the question of why this crap was and is so often considered OK in the first place, and is only reconsidered when some sort of hullabaloo is made. And also, Mia wrote this very promptly, and I, the ed, was under a pile of Stuff and couldn’t get to posting it on the day. \u00a0But what she has to say about how she felt remains pretty on-point about the issues in general. So: let it stand.<\/em><\/p>\n

Dear Deep Silver,<\/p>\n

I have just seen the parody ad for the collector’s edition of Dead Island: Riptide<\/strong><\/a>. While violence against women and graphic dismemberment are fairly cheap, extremely tasteless and far too easy targets for \u201cshock value\u201d, I’m impressed by your provocative attempts to further the dialogue about the sinister and ingrained misogyny of videogame culture by taking it to a disgusting extreme.<\/p>\n

\"WTF\"<\/a>

Limited Edition! Specially designed and crafted! Completely and utterly terrible!<\/p><\/div>\n

Oh… wait, hang on, I’ve just heard from Rock, Paper, Shotgun<\/a> that you’re actually serious about this. This apparently isn’t just a misguided pastiche of publicity stunts. Oh. Oh dear.<\/p>\n

You claim that this hunk of resin will:<\/p>\n

… make a striking conversation piece on any discerning zombie gamer\u2019s mantel.<\/p><\/blockquote>\n

Well, as someone who has notched up damn near 1,000 hours of zombie killing in recent years (thanks, Steam, for keeping track of that. I was starting to worry that I was wasting my life), let’s have<\/em> a conversation about it. I’ll go and brew up a steaming cup of Sityourassdown while you perch on the naughty stool and think about what you’ve done.<\/p>\n

I can hear it already, the rumbling of defensive PR managers approaching.<\/p>\n

\u201cBut it’s a zombie game! The whole point of it is to commit heinous acts of violence against the undead in self defence! A zombie torso with its limbs severed is a trophy that represents your prowess!\u201d<\/p>\n

Before I address this, in the interests of full disclosure, I have to say that I am not a qualified physician. However, from my forays into the study of human and zombie biology, I can confirm that the healthy, warm-tanned skintone, obvious freshness of the blood, the lack of any sort of necrosis or decomposition of the flesh indicates that this torso was certainly not a zombie at the time of her dismemberment.<\/p>\n

Exposure of the lower ribs suggest traumatic chest injury; however, it’s not clear whether this occurred before or after the time of death. My working hypothesis is that her death had something to do with either decapitation or the loss of all her blood. Even without formal medical training, I am fairly confident in positing that there is no coming back from complete removal of the head.<\/p>\n

There isn’t even any artistic merit in what you’ve created, which is almost as offensive as the glorification of horrific violence against women. You have the gumption to describe it as:<\/p>\n

…Dead Island\u2019s grotesque take on an iconic Roman marble torso sculpture.<\/p><\/blockquote>\n

No. Stop. Please. The skies are filled with the anguished cries of Classics and Art History students, joined by the despairing sobs of everybody with a functioning pair of eyes. There are several salient differences between your abomination and classical works of art, but I’ll set out a few of these for your convenience:<\/p>\n